A Quote by Mika

I want to make big-sounding pop records. — © Mika
I want to make big-sounding pop records.

Quote Topics

Quote Author

K-pop is a weird term because K-pop has everything - rap records - it's very pop-sounding; there are really boy-band-sounding records.
When I started trying to produce records for other people, one of the first tracks I wrote and produced was sort of a 'Kelly Clarkson circa 2008,' kind of big-brassy, guitar-pop, rock song. I was like, 'I can do this. I can make pop songs.' It was bad.
What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
I urge younger artists to know that you don't have to be anything you don't want. You can do whatever's comfortable for you. From the music I make, to the things I do in my life, I'm true to my R&B core. I have the capability to make pop records and crossover, but that's not my aim.
2017 saw a slew of big pop and hip-hop records, a number of breakout female singer-songwriters and all-girl bands, and the return of beloved '60s soul artist Don Bryant and pop star Kesha.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
When I graduated, everyone was like, 'You got to do pop and R&B to make it,' like very contemporary pop and R&B. I tried for a little while, but I just realized my voice wasn't quite fitting some of the records that I was doing.
We're doing unusual records that sound big, have a pop feel, and we're getting better at it.
I still want to make a pop record. I want to make a more sonically current pop record. I maybe want to make people move a little bit more.
I know whites buy more records than blacks. So, I wanted to be able to make the most money that I could. Pop is for both whites and blacks, but if I just stuck to rhythm and blues, it's mostly for blacks. I didn't want to do that. So like I said, I wanted to get the most out of it that I could, so I thought that pop was the way to go.
The first listen is very important to me. Half of my favorite records just hit you in the face immediately with something memorable and within three-and-a-half minutes you know you've heard something really special. I want to make records like that, but it's a big challenge.
You don't want to make records so you can win a Grammy. You make records because you want to be a musician.
I want my records to be the most magnificent and glorious-sounding records, but also want them to be the most intense and fragile. And I want that all in the same ten-second bit of music. And it just takes a while to get there, and I don't write the songs and then go and record them, I write in the studio. So it takes a while to kind of piece them together and know that that's what I want it to be like. And I constantly throw the bits up in the air and see how they land, and eventually they kind of keep landing in the same place and that's where it stays.
I'm trying to make pop records for the middle-class, lower-middle-class - pop for the 99 percent.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
This site uses cookies to ensure you get the best experience. More info...
Got it!