A Quote by Mike Birbiglia

I've read that Steven Wright's style was born out of genuine nervousness. — © Mike Birbiglia
I've read that Steven Wright's style was born out of genuine nervousness.
Steven Wright can do Steven Wright very well. Not everyone can do Steven Wright's jokes with the same results.
I guess the one-liner kind of comic sounds like a guy who can talk and talk and whatever the subject is, he can pull out a one-liner, but I couldn't do that. I didn't like the association. I mean, I love Steven Wright, but so many people started saying "Steven Wright" to me, and I would get mad, because I never wanted to be thought of as copying anybody.
I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.
I love Steven Wright.
By the power of Steven Wright's Beard!
I was heavily influenced by Andy Kaufman and Steven Wright.
I love Steven Wright. I was in high school in the '80s, and there was a lot of stand up on television.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
I feel like I've mastered what nervousness is, and simply, nervousness is, fearing the future. Or, I like to put it as, thinking about things that you don't want in the future. Normally, artists may think, 'What if my show doesn't go well?' Boom. That's going to cause nervousness.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
I have always wanted to work with Steven R. Monroe, and when I read his script, I was blown away! I think 'Complacent' hits a nerve that people try so desperately to avoid, which is what I love about Steven's work.
Our phones do play to our natural nervousness about being vulnerable to each other, but that doesn't mean that we can't we can't pull ourselves together, and say - we need to talk to each because it's in conversation, the most human and humanizing thing that we do, that empathy is born, that intimacy is born, that relationship is born.
I was mainly in a state of nervousness while I wrote it - nervousness that it was far bigger and more complicated than anything Id attempted before, and that maybe my talent just wasnt up to it and the book would have to be abandoned, or would turn out not to work at all when it was finished.
Some of my biggest influences are people like Steven Wright and Todd Berry. I'm a shy person, and I don't think people who aspire to do comedy think that's an option.
When I was in high school I saw Steven Wright, a brilliant one-liner comedian, and I thought: 'That's what I should do; I should write one-liners.' And I did. My first album is mostly one-liners.
The whole secret of era is to specific no nervousness. Never nervousness what fortitude become of you, depend on no one. Free the twinkling you annul all help are you unrestricting.
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