A Quote by Mike Birbiglia

In some sense, Comedy Central has made their audience into comedy connoisseurs. — © Mike Birbiglia
In some sense, Comedy Central has made their audience into comedy connoisseurs.
Comedy Central made their own awards show. They were named best comedy channel.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
I'm a student of Comedy Central. It launched careers: Wanda Sykes and even Kevin Hart. The first time I was introduced to him, he was on Comedy Central. It puts you on the map... Hollywood knows now.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
In comedy, you have to do all of the same stuff you do in drama and then put the comedy on top of it. You, the actor, are aware of the comedy but the character is oblivious. And you have to have a sense of humor.
I would love to do a comedy, but comedy probably in the sense of a dark comedy like 'Californication,' that sort of thing. Yeah, sure, I think I'm funny.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.
It's funny because I think a lot of it is simply... We've never considered ourselves satirists, but because we're on Comedy Central and because we're South Park on Comedy Central, we can do any topic we want.
I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.
I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.
My intent when I moved to L.A. was to get in good with the comedy clubs and, eventually, try to break into Comedy Central and have my half hour special.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.
25, 30 years ago, that meant something, they were making some money. And they were doing all sorts of comedy, screaming at the audience, basically crowd control. And then there was the whole urban comedy scene.
To be honest, I'm probably more of a comedy person, actually. I really enjoy the comedy stuff, and I've got some things I'll be working on that I think are just different ways of combining genres in comedy and drama and action.
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