A Quote by Mike Birbiglia
Once you start writing something obsessively, it's almost like someone has to rip it from your hands in order for you to put it down.
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As you age, you start to realize that your emotions are in your hands and not someone else's. Once you put them in someone else's hands, that's when you give them the power, and you can't change it. Only they can change it.
The writing of 'The Ladykillers' was fun. But once it goes out of your hands it's not fun, 'especially for someone who is used to being hands-on like me.
When you're sitting down and you're blocked and you just start writing and something in your mind just clicks, you start seeing connections and so on, you really do feel like you're channeling something else.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something—anything—down on paper. What I’ve learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head.
That's what I love about writing. Once you get the words down on paper, in print, they start to make sense. It's like you don't know what you think until it dribbles from your brain down your arm and into your hand and out through your fingers and shows up on the computer screen, and you read it and realize: That's really true; I believe that.
Once I start reading something, I can't stop. I obsessively read, which is a problem with long books!
I've been writing fiction probably since I was about 6 years old, so it's something that is second nature to me now. I just sit down and start writing. I don't sit down and start writing and it comes out perfectly - it's a process.
Writing is like bricklaying; you put down one word after another. Sometimes the wall goes up straight and true and sometimes it doesn't and you have to push it down and start again, but you don't stop; it's your trade.
Be careful not to be the first to put your hands in the dish. What you cannot hold in your hands you must put on your plate. Also it is a great breach of etiquette when your fingers are dirty and greasy, to bring them to your mouth in order to lick them, or to clean them on your jacket. It would be more decent to use the tablecloth.
When I sit down at the typewriter, I write. Someone once asked me if I had a fixed routine before I start, like setting up exercises, sharpening pencils, or having a drink of orange juice. I said, "No, the only thing I do before I start writing is to make sure that I'm close enough to the typewriter to reach the keys."
Once you make a mistake and put the control of your life in someone else's hands, it's scary.
That's the thing: once it's in their hands, it's not my book anymore, it's theirs. I have no idea what happens when they start to digest it. So when someone writes me to explain how they read it, what it was like, what they enjoyed, there's a thrill. Writers who don't make their email addresses public are missing out on something wonderful.
I'm amazed that I can sit down, put a guitar in my hands and start playing kind of free style, and it will be four hours later and it will feel like it's been five minutes. I think that adds depth to your being, when something in your life can do that for you. Everybody should try to find something in their life that can do that for them. People find really elaborate self-destructive ways of killing time on this planet. That's why they take drugs or drink, trying to alter their state of being. If you can find something that doesn't destroy you, but deepens your character, you're really lucky.
When you're growing up, your dad is your superhero. Once you've let yourself fall that in love with someone, once you put him on such a high pedestal and he lets you down, you never want to experience that pain again.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
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