A Quote by Mike Birbiglia

I've yet to write a stand-up show that isn't autobiographical. — © Mike Birbiglia
I've yet to write a stand-up show that isn't autobiographical.
But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
I'm super happy to say that it's not that hard to write bad stand-up. I guess the trick is to write bad stand-up that sounds like you're trying to be good.
The mental state I'm in is completely different, but the act of trying to write is the same. I mean, in all instances you try to write good sentences. But in a novel you're free to do whatever you want, and in the autobiographical works you can't make things up.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
Stand-up life is really hard. At one point, I got so paralyzed I could write five screenplays before I could write three jokes for stand-up. Later, I've finally allowed myself to relax quite a bit, to think I can do it because I've done it in the past. The pressure to come up with the material is the same but the anxiety about whether I can do it is gone.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
I remember seeing Letterman do stand-up on 'The Tonight Show.' Or, it's probably more accurate to say, I remember hearing him do stand-up, because the Carson show existed mainly as sound leaking under my bedroom door at night. I'd hear Johnny telling jokes and my dad laughing at them.
I can only develop a stand-up show by being on stage. I can't write it. Whenever I see comedy written down, it very rarely makes me laugh.
I did a show called 'What A Country,' with Yakov Smirnoff and Don Knotts. I used to write jokes for Yakov's stand-up act.
My show is not just a cop hosting a talk show - the two are completely different. My show is about helping people stand up to the bad guy.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
Being on the plane is my catch-up time. I write thank-you notes. I read. I write stand-up jokes.
For stand-up comedians that go onstage and get to write and perform and direct, and do all these things, the allure of a television show is still there but if it doesn't offer a level of creative fulfillment, it's oddly unappealing.
What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
We are talking about one of the greatest threats of all. But people can stand up to the school nurse; you can stand up to the teacher; you can stand up to the principal; you can stand up to them with the facts and the right books.
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