A Quote by Mike Birbiglia

There's something about small venues that's amazing for developing material. It's almost like you can not only hear people's response, but you can understand it. In bigger venues you lose that, but you gain this sense of camaraderie in the audience.
I love the intimacy of small venues, I really do, I like that look that people have that they feel like they're special and they can hear and they can see the band as well.
At some of the venues, the audience was so loud we could hardly hear what was happening on stage, which kind of threw us back to 1983, when we had very similar reactions on a much bigger scale.
Americans are opting out of public venues like the playground and the sidewalk for private venues like the healthclub and the mall. We're living our lives inside one form of corporation or another.
As far as dream venues, I've played all the venues I'd love to play.
I sent a lot of the e-mails out to venues and tried to get shows and tried to get people interested in it. It can be a tough thing, because you know these people at venues are getting e-mails like that every day, but I think just my experience in working in running a radio station.
My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.
Back in the early 1980s when rappers couldn't perform in the fancy venues because the police were too racist and scared, it was the punk venues letting them in to perform.
In L.A., we played rock venues because we had a band, which hip-hop venues couldn't accommodate. And within that, we created a show which we could put on in front of anybody.
One of the things that's wonderful about having a festival in a small town like Enniskillen is that we don't have lots of purpose-built venues so we have to be creative about where we place events.
I really like to do small venues. They're more intimate.
In regards to live shows, space is very important to me. Space and context should complement the music in some way; you gain so much from it. It enhances the dialogue between audience and performer. I'm very much aware of this when choosing venues. I say no to 90% of booking offers. Somehow I feel the venue needs to make sense.
I prefer to play in smaller venues because I like the intimacy, the connection with the audience.
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes.
It's fun playing small venues.
We used to wrestle every night, 385 times a year. For ten years. 365 days. Never had any holidays off, ever. Holidays were always two-day venues. Two event venues. Afternoon and night.
This site uses cookies to ensure you get the best experience. More info...
Got it!