A Quote by Mike Cernovich

I consider myself a writer, foremost - a nonfiction writer. — © Mike Cernovich
I consider myself a writer, foremost - a nonfiction writer.
I consider myself to be first and foremost a comic writer. The way I entertain myself - especially in those long and grim hours in the office - is to write stuff I find funny.
I view myself as a fiction writer who just happens to write nonfiction. I think I look at the world through a fiction-writer's eyes.
I always want to challenge myself as a writer. I consider myself more of a writer than I do a director.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
I don't really consider myself a writer, but I am writing so I guess I'm a writer.
I like to think I've grown as a writer and taken some risks, but I still consider myself to be a literary writer.
I do consider myself a Norwegian writer, or a Scandinavian writer, as my family tree reaches into both Denmark and Sweden. I don't think about it, of course, when I am writing.
I'm not a poet, but I was in the poetry program. And I'm also not much of a nonfiction writer, at least not in the standard sense of nonfiction, nor especially in the way we were thinking about nonfiction back then, in the late 90s.
First and foremost, I consider myself a storyteller. And I'm endlessly fascinated with people, with what they do and why... and how they feel about it. Which means I'm interested in romance fiction. I was drawn to it, as both a reader and a writer, at the very beginning of my career. It's my kind of storytelling.
I'm first and foremost a writer. I followed my personal legend, my childhood dream of becoming a writer, but I can't say why I'm one.
I really consider myself a writer, and a writer who is sometimes a social critic. I'm not an ideologue, I don't join a party. I follow along and take notes. Sometimes I throw in my two cents.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
I come from a family of writers. My mom had been a writer, nonfiction books, and her mother was a playwright in the 1930s and '40s. And my twin brother, Alexi, is a writer on 'The Following.'
I don't think of myself as a metafictional writer at all. I think of myself as a classic writer, a realist writer, who tends to have flights of fancy at times, but nevertheless, my feet are mostly on the ground.
Everyone else thinks I'm a nonfiction writer. I think it's because my nonfiction is easier to find. But I write both in equal measure. I love writing fiction because I can totally lose myself, and I get to make up the rules of the world that I'm writing.
I consider myself a writer who writes about American expatriates. And if I have any overt cause as a writer besides writing the best prose I can, it's to try to make Americans have a more visceral feeling about how America impacts everybody in the world.
This site uses cookies to ensure you get the best experience. More info...
Got it!