A Quote by Mike Colter

As an actor, I need to get excited about something that I can actually relate to. — © Mike Colter
As an actor, I need to get excited about something that I can actually relate to.
Most people are excited about themselves. Personal genome will deliver for inexpensively something about science to which you can relate. Just like computers are becoming something to which you can relate. It should be even easier to relate to your own biology, and I hope that will be one of the ways we get broader literacy in science.
As an actor, I'm always so excited about those things that I get to stretch my legs and really get to do something that's hard to do.
It's rare in Hollywood to get the chance to work on something that you actually care about. The tragedy of the place is all these talented people trying to get excited about stuff they themselves would only view at gunpoint.
We need to get young people excited about politics, excited about government.
Whenever I audition for something, if I get excited about the project I'm totally committed to it from that point on. But it can also be a long process, so when I eventually get given the part it's then that I realise that I've actually got to do it and here comes the work!
A lot of times, as an actor, especially a TV or film actor, you don't get a lot of interaction, or you don't get the feeling you are actually touching someone, or someone actually cares about what you do.
The worst thing as an actor is when you're not getting opportunities to try and show what you can do; the best thing is when you get material that really lets you express something and that you're excited about.
When you get a walk-off homer, you get to do whatever you want. You need to be excited about it. You don't get too many of those, so you need to enjoy them when they come.
When you're actually inside the experience of writing something, in some ways, you're just writing. Ultimately, you fall in love with the characters, and you get excited about the story, and you're sitting there in your sweatpants or pajamas, and you do get a little lost in it.
When you become an actor, at some point you look for something that brings you back to your roots. You find something that people around your neighborhood can relate to. People that you're close with can relate to.
As an actor, you tend to get excited about scenes that are weighty or meaty because you get to shift gears in a way that's quite interesting.
Well, I don't ever get excited. I haven't been excited since I got a Chopper bicycle when I was about 12. Once you get older you realise there's always a catch to everything. So when I get, say, a commission to make a TV show, the catch is that you have to deliver something and then the sense of responsibility overwhelms the joy of the occasion.
I think it's because Po [from Kung Fu Panda] is such a geek, and he is so relatable. He is so excited by life and is excited to learn new things. I think that accessibility is something that we all can relate to, there are so many things we wish we could do but don't have the means to achieve it.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
I don't take on projects that are a hassle or when someone comes in and says, 'We really need this design,' and I'm like, 'OK, fine, I'll do it.' It really has to be something that I personally feel intrigued and excited about - any product, as long as I'm excited by it. It doesn't have to be a car.
We get all excited about collaborations. You get excited to hear that Rihanna has something, because Rihanna is a singer, and she has amazing fashion. You want to see what she would create. I don't get upset and think, 'Someone else is going to do better than me.' You're like, 'Oh, good for her.'
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