We are in a diversity age. I talk about the lack of diversity for black Americans, but what about the Asian Americans? You don't see them very often. They have a show called 'Fresh off the Boat.' No one is talking about that show. I saw it, and I found that show completely offensive, but I'm not Asian American.
I think that's what we need more of: Asian-Americans on movie screens and TV screens where they're normalized. Where it's not about them being Asian or a person of color. It's just about them being a human. I think that's why sometimes when I see movies with an Asian family, but it's very stereotyped, I don't find that relatable.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
It's very difficult to be asking other people for opportunities. It is much more empowering to be creating opportunities, to be the one who is saying, 'Look, I'm going to take this from the ground up and create a story that is meaningful to me as an Asian American and cast it with Asian Americans and have Asian Americans writing it.'
Within the model minority rhetoric, Asian Americans are represented as “good” minorities and African Americans are represented as “bad” minorities. Here, the achievements of Asian Americans are used to discipline African Americans. As model minorities, Asian Americans achieved the status of “honorary Whites”. Again it is important to point out that the honorary whiteness of Asian Americans was granted at the expense of Blacks. It is also significant that as “honorary Whites,” Asian Americans do not have the actual privileges associated with “real” whiteness.
Hollywood can be a really tough environment for anyone trying to make a living. Unfortunately for actors of color, namely Asian Americans, opportunities have been and remain substantially limited. One place this is not the case is on 'Hawaii Five-0,' where we have three Asian American series regulars and a landscape rich with diversity.
It's no surprise that at the same time that American universities have engaged in a serious commitment to diversity, they have been thought-prisons. We are not talking about diversity in any real way. We are talking about brown, black, white versions of the same political ideology.
I've always been very passionate about trying to have Asian-Americans or Asian faces be more prominent in mainstream media.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
The Monica Lewinsky scandal was happening at the very time I was writing the West Wing pilot and it was hard, at least for Americans, to look at the White House and think of anything but a punch line. Plus a show about politics, a show that took place in Washington, had just never worked before in American television. So the show was delayed for a year.
But when you talk about the education and you talk about the lack of recreation for kids to do, I mean, it's second to none in New Orleans when you talk about the lack of opportunities for young people. And it's not just black kids, it's white kids. It's Asian kids. I had Vietnamese kids in my class that had lack of opportunities.
One thing that I feel very, very strongly is that we talk about Islamic countries, Islamic people, Islamic leaders, as either moderates or extremists. It's almost like there are only two categories of Muslims. And actually, that doesn't show respect. It shows lack of understanding of the diversity of Muslim thought.
My show is not just a cop hosting a talk show - the two are completely different. My show is about helping people stand up to the bad guy.
Think about Kennedy. Think about Carter. Think about Clinton. Think about Obama. They've all been in their forties and from outside Washington, or underdogs in one way or another. I just think that Americans are looking everywhere, saying, 'Hey, show me some authenticity. Show me somebody who's practical. Show me people who run things.'
My comedy has no color, it's for everybody, black, white, Latino, Asian. It's not a pro-black show, not a def jam show; it's just straight, wholesome type of humor.
We saw David Carradine, who is not of Asian descent, playing an Asian man on the show 'Kung Fu' that originally should have, and was developed for, Bruce Lee. To have that be the legacy that quote-unquote inspired 'Shang-Chi' in the beginning obviously doesn't put us off to a great start.
As a community, we're fighting for Asians to play Asian roles. And then there's the other battle, which is Asian Americans playing roles that aren't written for Asians, and I think that's something that completely should happen; Why can't an Asian American male just play a leading cop figure... or the Matt Damon roles?