A Quote by Mike Dean
Willie D is one of the first people I worked with.
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There have only been two authentic geniuses in the world, Willie Mays and Willie Shakespeare and I think you'd better put Shakespeare first, darling.
[On Willie Mays] He was something like zero for twenty-one the first time I saw him. His first major league hit was a home run off me and I'll never forgive myself. We might have gotten rid of Willie (Mays) forever if I'd only struck him out.
Wandering around back stage at a willie Nelson concert is a bit like being the parrot on the shoulder of the guy who's running the Ferris wheel. It's not the best seat in the house, but you see enough lights, action, people, and confusion to make you wonder if anybody knows what the hell's going on. If you're sitting out front, of course, it all rolls along as smoothly as a German train schedule, but as Willie, like any great magician, would be the first to point out, the real show is never in the center ring. As Willie always says, Fortunately, we're not in control.
I was trying to land an 18-year-old strapping first baseman from Blanco, Texas, population 200. His name was Willie Upshaw. It turned out there were only three scouts who knew about Willie - Dave Yocum and I working for the Yankees, and Al LaMacchia from the Atlanta Braves.
I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.
Oscar Charleston was the Willie Mays of his day. Nobody ever played center field better than Willie Mays. Suppose they had never given Willie a chance, and we said that, would anybody believe there was a kid in Alabama who was that good? Or there was a black guy in Atlanta who might break Babe Ruth's home run record? No.
Planned Parenthood gave me an award for the Willie Parker story that I was deeply honored by. I didn't get any negative comments. I think the Willie Parker piece had more of an impact on people in that sense because it went deeper into the clinic itself.
There's absolutely no comparisons to me or anyone else to Willie Mays. Willie Mays, he's the greatest baseball player of all time.
If you want to know who was better, me or Willie Mays, you have to look at our career stats. And Willie's bottom line was better.
You never hear a country-western station saying 'We have old school artist Willie Nelson in the house.' They say 'We have the legendary Willie Nelson.'
I always loved Willie Nelson, but I loved the songs that Willie made famous.
I want to establish myself as the first Eric Davis, not the next Willie Mays.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
Ask anyone in the game: if you want a player from France or a French player, 99 per cent of the time, you will have to deal with Willie McKay or someone like him. If you want to get the job done, then you need the Willie McKays of this world.
I've worked with non-professional actors, I've worked with movie stars, I've worked with kids, I've worked with older people, and I've found my job as a director is to cast them well and to understand what they need on set to bring the material to life.
The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first.
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