A Quote by Mike Epps
I learned that you don't have to be all over the place, that you can be subtle and you can say what you say. The words that you put together can be just as hilarious as falling all over the place or doing something.
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I have learned that I will not pay any attention to anything people say about my movies, because people say things that are all over the place.
The farm subsidy program is something that was put into place over 60 years ago, and it was put into place to do one thing, and it's turned into something else.
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As a scholar, you don't want to repeat yourself, ever. You're supposed to say it once, publish it, and then it's published, and you don't say it again. If someone comes and gives a scholarly paper about something they've already published, that's just terrible. As a university president, you have to say the same thing over and over and over.
Over, over, there is a soft place in my heart for all that is over, no, for the being over, words have been my only loves, not many.
But if you cover the World Series on the news or do a feature on an Ali boxing match then all of a sudden ears go up all over the place and people say what the hell are you doing. The reason for that is that we're doing something that people are really interested in.
When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
When I was a little kid, I realized that if you say any word over and over fast enough, it loses all meaning. I'd lie awake saying the words over and over to myself--'sugar,' 'mirror,' 'whisper,' 'dark.' 'Sister,'" he said softly. "You're my sister." "It doesn't matter how many times you say it. It'll still be true." "And it doesn't matter what you won't let me say, that'll still be true too.
I remember Nayim at Tottenham dived all over the place, and we used to say to him, 'What are you doing?' You do talk about it.
I want to get the joke to work without having to put any words or to say anything. I just want the person to look at it, and quietly in their brain, they can just put it together and say, "Cool, that one works".
Just because reporters say something over and over and over again doesn't start to make it true.
When I'm playing guitar, I just try and put those words into lyrics and just try a few things. It's all over the place.
You don't break ground by doing the same thing over and over and over. That's like standing in place. You have to risk to gain it all.
I'd say that that is a challenge, but it also is, again, it's helpful. It's helpful to have the discipline of, okay, I'm doing, I'm doing something that's quite precise over here, working the puppet, and I'm doing something that's very imprecise and creative and unleashed over here, which is the comedy side. And it's kind of nice to allow your brain to be doing those two things at once.
Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
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