A Quote by Mike Farrell
The show that defined 'M*A*S*H' was the original interview episode with Clete Roberts. That was a way to look into these peoples' lives and investigate their situation, their feelings being away from home on an intimate level.
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I remembered what it was like: the weirdness, being the odd man out, trying to make my way around campus, and trying to figure out who my friends would be, who to steer clear of. I wrote it all down in a fanciful way - the feelings of alienation, the feelings of uncertainty, of being away from home for the first time.
Whether it's a show or an interview, the way I look at it is that one day people might not want to interview me. So I want to enjoy this ride while I can.
On the intimate level, anyone who has loved a companion animal knows the uniquely wonderful experience these 'other nations' provide, and their important presence in our shared lives. In their very local way they show us the global truth of our real wealth, our biodiversity.
Julia Roberts was really rather lovely. I had to interview her on Pebble Mill At One years ago. You learn not to be starstruck if you're trying to get a decent interview out of someone. If you fall apart it's counter productive.
What you wear can largely govern your feelings and your emotions, and how you look influences the way people regard you. So fashion plays an important role on both the practical level and the aesthetic level.
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.
What you wear can largely govern your feelings and your emotions, and how you look influences the way people regard you. So fashion plays an important role on both the practical level and the aesthetic level of activity.
One has a more practical survival level, that's the mind function. The heart function obviously has an internal level that has to do with the quality of developing perceptions, feelings, the self. And the spirit level has to do with the pondering part of our lives.
In order to share intimate feelings, you have to have intimate feelings.
If we are too busy, if we are carried away every day by our projects, our uncertainty, our craving, how can we have the time to stop and look deeply into the situation-our own situation, the situation of our beloved one, the situation of our family and of our community, and the situation of our nation and of the other nations?
I responded that we needed a private sector to improve the market situation and make peoples lives easier.
You especially want to strive for that nuance on a show like 'The Flash,' which is different from 'Legends' in the sense that it's really, at its heart, a smaller show. It's a more intimate show, in a way.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
So in terms of a large part of the job on our show specifically, what makes the show complex and interesting and funnier are the conversations about "Where's the camera?" and "How aware are the characters of the camera? Are the cameras hidden for this shot? Is it a spy shot from far away? Or is it really close and in their face, and they sort of have to play to it in an embarrassing situation?" There's a whole other level of questions and choices that come into play on our show that are not even a factor in anything else.
When I go to a web video meeting and look around, at least half the show runners are women. And a lot are actors-cum-writers who are frustrated with the situation of being a woman actor in Hollywood and have decided to create their own show.
I was never a guy who came into a new situation on a team being vocal right away. I kind of monitored the situation, observed the situation and then found my role throughout that process.
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