A Quote by Mike Fontenot

There's no feeling as a musician better than being on stage, sharing music with strangers. People you have never met, singing along, and making that connection with somebody is so awesome.
Somebody described it to me the best as when you go in to write a song with two people that you've never met, you're pretty much going in and taking off your pants in front of strangers, so it's a really weird feeling.
I like connecting with people, and that's what good art is, a point of connection. There's nothing better, on stage or on film, than feeling like you've achieved that.
I've learned how to be a better performer on stage and interact with the fans, make it feel like a collective experience more than just me singing songs on a stage and feeling really detached.
The thing that will never go away is that connection you make with a band or a song where you're moved by the fact that it's real people making music. You make that human connection with a song like 'Let It Be' or 'Long and Winding Road' or a song like 'Bohemian Rhapsody' or 'Roxanne,' any of those songs. They sound like people making music.
There's no better feeling than making somebody smile.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
There's more to being a musician than just making music.
Half of the pleasure of painting and feeling the joy of the creative act is sharing it with others and the feeling of connection. It could just be the colour. But it is something that someone other than you has seen and felt. It is momentous. It is magic.
In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.
Your connection to other people keeps you human, and that connection, staying human - that's what you have against control. It's like if somebody is being controlled by their job, the connection is to their family. And if they stay connected to those people, the job will never really have control over them.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.
My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.
I love being on stage. There's nothing better than that feeling; ever since the first time I was on stage, I was like, 'Oh, this is what it means to be fully alive and satisfied.' I don't think anything's as satisfying as a play.
There's no better feeling than being on a Broadway stage for me.
There is no better feeling in the universe, other than being married and having a family, than standing on stage behind a piano and having 5,000 people waving at you. You cannot bottle that.
The thing with food is that you can give 20 people the same recipe and the same ingredients, and somebody's going to make it better than somebody else, and that's the creativity of it. It's like music. You could have a bunch of people playing the same piece, and somebody's gonna play it better.
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