A Quote by Mike Gatting

It was not his job at square leg to inform the batsman what I was doing. I did nothing for which I need to apologise. — © Mike Gatting
It was not his job at square leg to inform the batsman what I was doing. I did nothing for which I need to apologise.
My father lost his leg in 1927 playing soccer. A kick broke his leg; gangrene set in. They sawed it off. So he didn't get what a lot of Irish immigrants got, which was a job on the Waterfront - he didn't get that.
Nigel Lythgoe famously said that I was fat on national TV. He did apologise for that - not on camera, but he did apologise.
I am a middle-order batsman. Delivering a 100-crore hit each time is the job of the opening batsman. I will come, do my job to the best of my abilities and leave the rest to my audience.
I did have a Huggy Beardoll. One of his legs fell off. That empty leg became a place where, when we were doing a lot of drugs on tour at one point, we would store the drugs in his empty leg. That's where the term 'dancing with the one-legged man' on Smells Like Children came from, because whenever anyone was doing drugs we called it the 'dance of the one-legged man.' That became a ritualistic thing that was funny for awhile.
When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed: 'Everything which we loved is lost. We are in a desert .... Before us is nothing but a black square on a white background!'
Adrian suddenly glanced up at me. Our gazes locked, and I felt like he could read my mind. How often did he think about that kiss? And if he really was crazy about me, did he imagine more than just kissing? Did he fantasize about me? What kinds of things did he think about? His lips on my neck? His hand on my leg? And was that leg bare . . . ?
I've heard this stuff about a kicker 'losing his leg' ever since I was a rookie, and I can tell you that there is nothing to it. Every time a field goal kicker misses a few, the word gets around that he's lost his leg, meaning his kicking strength.
He's carrying his left leg, which, to be honest, is his only leg.
I have a very basic leg. But it has a silicon cover on it. I have a flat foot leg, a high heel leg and then I have a leg which, in the winter, I have to ski in and in the summer I swap it into my roller blades.
I don't think I would have been a good architect. Really, I have thought about this from time to time, and I might have wound up like my father, who never did find that which he could devote his life to. He sort of drifted from job to job. He was a traveling salesman, he was a bookkeeper, he was an office manager, he was here, there, there. And however enthusiastic he was at the beginning, his job would bore him. If I hadn't had the writing, I think I might have replicated what he was doing, which would not have been good.
You need to understand the batsman, where he plays his shot usually, which is his release shot, and then change the angle, vary the pace, line and length. You cannot always react after being at the receiving end.
I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.
My brother once lit his leg on fire. And after, when the fire was finally out, his leg was covered in third-degree burns. And we made the decision - or my parents did - not to take him to the hospital but to treat that at home with a salve my mother made of comfrey and lobelia.
It is a little theory of mine that has much exercised my mind lately, that most of the problems of this silly and delightful world derive from our apologising for those things which we ought not to apologise for, and failing to apologise for those things for which apology is necessary.
I did stand-up for a long time and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve.
The more you get a batsman out the more it becomes psychological. A batsman starts thinking about it and making something of it in his head.
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