A Quote by Mike Gordon
Usually I don't think much in terms of interesting sounds. Although I think I want to get one of those whammy pedals, I forget what it's called and who makes it. It's got a whole bunch of different settings. You can play a note and it will raise the pitch when you push the pedal.
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I have a love of gear and pedals, from old pedals to new ones with new sounds. If I get depressed, I start looking for a certain type of pedal, learn the history, who and what it was made for, that kinda thing.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
There are lots of really good guitarists, but they play with the same pedals that everybody else does. Everybody buys the same pedals, so the sounds tend to be the same. I am looking for different ways of doing that without having to spend days and weeks and months fooling around with pedals, which I don't enjoy.
You have to push on both pedals to make the wheels go 'round. Similarly, you need faith in Christ as well as knowledge. The problem is that there are always Christians who want to push one pedal - either knowledge or experience. We need both.
Sometimes we're going to take marginal pitches on the edges and get called out on strike, but we want to get a pitch that we can drive and a pitch we can do damage on. I think when you do that, you don't necessarily chase as much out of the zone.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
I love using lots of different pedals in the studio because you have the time to experiment with sounds. But when you're singing, fronting a rock band, and playing, you don't really want to have to think about a lot of that stuff.
In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the - they've had a whole series now of these things called Kaoss Pads. They're wonderful because they do get your muscles working again. And what DJs do, of course, with their DJ turntables now, the CD turntables, which have pitch change and speed change and everything else. They're doing something that I think is interestingly physical.
There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.
Many people have asked me why there are three pedals in these grand pianos. Well the pedal in the middle is there to separate the two other pedals.
'I Am Number Four' definitely borrows from a whole bunch of genres and has a whole bunch of different themes throughout. And I think if it was just one stale two-dimensional thing then it would be kind of boring. And I think they did a fantastic job.
I Am Number Four' definitely borrows from a whole bunch of genres and has a whole bunch of different themes throughout. And I think if it was just one stale two-dimensional thing then it would be kind of boring. And I think they did a fantastic job.
The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note.
See, I think our whole society is much too problem-solving oriented. It is far more interesting to participate in 'problem creation'... You know, ask yourself an interesting enough question and your attempt to find a tailor-made solution to that question will push you to a place where, pretty soon, you'll find yourself all by your lonesome - which I think is a more interesting place to be.
Doing voiceover is so much fun because you can play with the lines as much as you want. You can put a whole bunch of energy into it, jump up and down, whatever you got to do.
I mean I don't think it got me interested in acting. I think it might be what makes it so that I can have the idea of the variety of people in the world, different incomes. That helps. When you're going to play someone it's interesting and nice to see experiences that aren't like yours. But there's always the remarkable similarity of all people.
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