A Quote by Mike Gordon

Actually, it's great to play with someone who tries to come up with interesting drum beats because it pushes the music in different directions. — © Mike Gordon
Actually, it's great to play with someone who tries to come up with interesting drum beats because it pushes the music in different directions.
The simplest beats, on what rock music or any music has been formed on, can be the toughest beats to execute and perform, because it's really easy to not respect a simple 4/4 beat, because people always want to play fast.
It's interesting because all I want to do is make music. I want to sit in my room, play the guitar, make beats, sing... And I have never made less music than when being a musician became my job.
In '96, I was in a very specific place with my own music - I was only listening to beats. You would come to my house, and I would just play beats all day.
When you talk or write or film, you work with the music inside you, the music that formed you. Different generations have different musics in them, so whatever they do, it's going to come out differently, and it will speak in beats of their own generation.
'Welcome to Atlanta' was a song I wanted to do on my first album. The idea was for me and Outkast to do it, but I could never come up with a beat for us to do it. Outkast beats and my beats were very different.
Actually, music gave me the support when I needed it. I would never have gone to college unless I'd gotten a piano scholarship. And now I'm so glad I got to learn to play the cello, which is a different experience, you're flexing a different muscle, but it's beautiful because it is music.
I had a drummer in my band who started teaching me tricks to come up with interesting rhythms. Because I don't come from a musical background, I've never studied music, and I don't know music theory at all, so a lot of stuff I discover on my own are things students would learn in the first grade of music.
In fact, it is more interesting to play someone whose politics is not in sync with my own politics because then I have to understand a different kind of mind and that becomes more interesting as an actor.
When someone kisses someone or flushes the toilet it is my other who sits in a ball and cries. My other beats a tin drum in my heart. My other hangs up laundry as I try to sleep. My other cries and cries and cries when I put on a cocktail dress.
Usually I like to have them, but going drum-less pushes everything in a new direction and makes it easier to keep things sounding different.
One of the great things about this genie [from Aladdin] is that when Robin Williams created him, and they created this after him, they were allowed to go crazy and when they had to go find someone to play the role live, they had to find someone who was nutty enough to go in different directions.
I love the percussion. It's a right brain, left brain thing. There are different beats, but cooperating together. It's your whole body doing it, you're doing the snare drum and the high top with your hands and the bass drum with your foot. You're this whole motion machine.
It’s always this thing where we’re constantly waiting for something that will come in electronic music that says, ‘Daft Punk sucks!’ That’s actually much more interesting and exciting than someone who is paying homage.
Playing well with others is important - not being too flashy, just keeping good time and of course coming up with cool beats. A good snare drum, kick drum, high hat. Just getting good at the hand feet coordination.
Different identity groups hold specific levels of power over others when their battles play out in the media. To wit: Black beats white. Gay beats white. Black beats gay.
When I see someone interesting on the subway - the lady with her new Bible or the delivery guy holding down a dozen Mylar balloons - my mind goes in two different directions. Where are they coming from? And where are they going?
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