A Quote by Mike Gordon

Travelling to different countries is a goal. I wouldn't mind playing huge places if we got an opportunity to, but it's nice to play small places too. Fish was saying yesterday that he doesn't ever want to play stadiums, or maybe he would once, he said.
If you ever want to play bigger places, you need to have records that sound like you're playing in big places.
Travelling is very difficult, you have to go to places with different climates and time zones. Travelling like that every single day through the year is definitely not healthy, but that's something I have to sacrifice if I want to play music.
There are so many little places I want to play, sometimes weird places I think would be fun to play... a bar that's half full.
We'll always play different venues. We'll play small clubs or stadiums or things in between.
I don't understand racism. We are all the same and I have the perfect hypothesis to prove it. I play to all those countries and they cry in all the same places in my show. They laugh in the same places. They become hysterical in the same places. They faint in the same places and that's the perfect hypothesis. There is a commonality that we are all the same.
We play the music we want to play and we play the places we want to play. I'd hate to be on the usual record company where you get an album out and you do a tour, and you do all the Odeon's and all the this that and the others. I couldn't just do that at all.
So we are pretty convinced we don't want to play huge stadiums unless we can play them well.
My goal has always been to play golf, and play it well. In the end, that's what I am, a golfer. If my back lets me, I'm going to play my favorite places. If I hurt myself, that'll probably be it for a while.
It's funny, I played a social gig once - we were playing music that was rhythm based, but it was going in some strange places. Some people came up to me afterward and said, "Can you play a tune that we'll all recognize?" I've carried that with me forever - why would you want a tune you could recognize? What's the point of that?
When I was a kid, I felt like I could do anything and play anything. I just felt super-confident. And then, once I started to play music professionally, maybe it's from being from a small town, but you grow up and then you're suddenly a big fish in a small pond, and I realized that there were a billion other drummers out there that could play as good as you or better, and everybody wants that job.
Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
I hate going anywhere. I'm really excited to travel and play all these different places, but if I had it my way, I would stay inside, maybe go to the back garden or walk around the corner to the shops. That's it.
I've always said from starting off, 'I don't mind if I'm in a big budget film or a huge play or something small in London playing for 50 people, as long as I'm doing what I love doing for a living.'
The best part of my career was being able to play with a lot of guys from different countries, different places, different races. That was the best part about it.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
I am travelling to different places and talking to people about travelling litter-free, observing the wildlife, and respecting the host.
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