Like Woody Allen actually does this a lot in his movies, its kind of called magical realism where he has just kind of an everyday, these kind of everyday experiences and all the sudden something magical or supernatural will come into to and I just, I love that and I think everybody can kind of - everybody wants that at some point in their life.
Everybody's weird, fundamentally everybody is a snap. Sometimes it's a sexual thing and sometimes it's a different kind of weirdness, but one way or another everybody's nuts.
While everybody is trying to be different, everybody becomes, obviously, the same, so it's finding what makes you special and then kind of sharing it with the world; it's what makes you a superstar.
I mean, that's kind of what this business is about in some ways. You're trying to make everybody like you. But you can't do that. You can't force everybody - anybody to like you if they're just not willing to do it.
I'm a weirdo, but everybody's weird in some kind of way.
It was weird being a kid in the Midlands where outside everybody is white and speaks in a certain way but when you go home nobody speaks that way and everybody looks like you. Every day was this weird threshold crossing.
I'm making music that I love and I want to hear. At the same time, things like making money, making crazy money - you gotta find ways to reach to everybody but uplift everybody.
Ultimately, if you think about all the youth that everybody has mentioned here in Africa, if everybody is raising living standards to the point where everybody has got a car and everybody has got air conditioning, and everybody has got a big house, well, the planet will boil over - unless we find new ways of producing energy.
It's a small town; everybody eats in the same cafe; everybody gets their hair cut in the same barber shop. That kind of community building, I think, begins to bridge those gaps.
Everybody knows when I get in the zone... I just kind of go crazy. I have a lot of fun.
If it's a shot for me, if I can make a play, create for someone else, I'll do that. A lot of times you run a play, everybody's watching, everybody's locked in, everybody's pulling over, and it just makes the game tougher for me.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
The divisiveness could be really dangerous and it can create a lot of violence I think. So we have got to heal that by embracing that everybody wants the same thing and they are just going about it in different ways.
Some people are meant to be bigger, and that's okay. Because if everybody was built the same, it would be a little boring. We enjoy the differences in each other, and I think that's what makes all of us beautiful.
Everybody has a background. Everybody has a past. Not everybody's the same person all the way through.
I'm normally running three to 10 meetings at a time. I just pile them all up. I have no schedule and everybody just kind of meets at the same time. It sometimes makes people who are really important in their minds very uncomfortable because they're used to getting an automatic three hours alone.