A Quote by Mike Hughes

It is not a computer generated image, like you see on TV or some movie in Hollywood - this is the real thing a guy built, a rocket he's sitting in it and he can be dead in 10 seconds.
I wanted people to see that I really am a real person. I'm not just some guy who was on a TV show, some guy engulfed in the Hollywood life. I'm just a normal guy when it comes down to it.
There's a lot of music that sounds like it's literally computer-generated, totally divorced from a guy sitting down at an instrument.
We did the 'MacGruber' Super Bowl spot for Pepsi, which generated some outside interest. We have a sketch where a guy blows up after 90 seconds. How are we going to make that into a movie?
When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.
In a chemistry class there was a guy sitting in front of me doing what looked like a jigsaw puzzle or some really weird kind of thing. He told me he was writing a computer program.
TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
I'm like that guy who single-handedly built the rocket and flew to the moon. What was his name? Apollo Creed?
I always think that's really lazy, when I'm watching a TV show or a movie or something, and there's a flashback and the idea is, 'This one moment is the reason that everything happened. This character saw this guy, and this guy said this thing to him, and that's why he is this way.' Because I think in real life, it's not so one-to-one.
I wanted to get into art. I did some neon stuff. I worked in, not computer-generated, but computer manipulation of pictures.
People sometimes, they just stop because they see this scope movie. They say "oh, this is a real movie, this is not a TV movie."
I would love it if, even for one day, you could walk through a neighborhood and see an Asian guy sitting on his stoop, then you look across the street and see a black guy and a white guy sitting on their porches, and a Mexican dude walking by.
I can tell you as a fact that if you'd asked anyone in Hollywood one year before 'Pirates of the Caribbean' had come out, they'd have told you the pirate movie was a dead genre. And it's not that it's a dead genre. If you make a bad pirate movie, no one will want to see it. If you make a good one, everyone will want to see it.
I have this thing built into my contract that the club has to put up a sign that says my act "contains the strongest language and material content imaginable," but, believe it or not, I still get complaints. People want you to be what they want you to be. If they see you on TV and that's what they like, they want you to be EXACTLY like that when they see you live. And if you're not, some of them get upset.
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
The movie portrayed me as this person who cussed every 10 seconds, and I don't cuss like that.
I've always spent a lot of time in movie theaters, kind of absorbing anything I can. I just love sitting in the dark, and watching the flickering image up there. Just sitting in a movie theater alone is inspiring to me. It takes a pretty bad movie to drain the magic out of that - but Lord knows, those movies exist.
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