A Quote by Mike Judge

You look at material a different way when your ass is on the line financially for it. You want to know where the big laughs are, and how we're going to sell this. — © Mike Judge
You look at material a different way when your ass is on the line financially for it. You want to know where the big laughs are, and how we're going to sell this.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
I think you look at a lot of sports, it starts with the guys up front. Your defensive line and offensive line in football and your big man in basketball, different stuff like that.
No one forces me, or any other writer, to sell a film option on the books. If you don't want to run the risk that the filmmakers may adapt your work in a way you don't like, then you don't sell the option. You know when you sell it that they will have to make some changes, just because film and TV are different media than books.
I know you think that when you're 35, 45, 55, you'll be different. But I'm going to let you in on a bit of a secret. You're going to look different, and your life is going to be different, but in your head you'll always be that 16-year-old girl.
Your liberals and radicals all want to govern. They want to try it their way- to show that people will be happier if the power is wielded in a different way or for different purposes. But how do they know? Have they ever tried it? No, it's merely their guess.
Voice acting is very different from live-action. You only have one tool to convey emotion. You can't sell a line with a look. It's all about your vocal instrument.
I think that in the past, in the '50s and '60s, after the existentialists and beatniks and hippie movements, the big deal was, Don't sell out. We live in a society that by virtue of the speed we communicate and sell, everything sells. The danger is buying in; that your concern becomes success, rather than fulfillment. They're two different beasts, and my feeling is that you should seek fulfillment. You should not measure your worth in how much you have or how popular you are, but how happy you are with what you do.
No matter how exceptional your product, you won't benefit financially if you can't sell it.
If you go through some big corporate change, it's just not going to be the same. If we sold to Yahoo, they would have done something different; if you want to continue your vision of the company, then don't sell because there's inevitably going to be some change.
I'm now in my mid-thirties, so I look in the mirror and my face is changing, and I have a different relationship all of a sudden with myself. Your face changes, things change - that's just kind of what happens. It's hard, though, in this industry, because I think so much importance is put on how you look, and I'm not brave enough to be like, "You know what? I'm just going to let it happen. Whatever. I'm so cool with every line on my face."
I've always felt so different from how I look. I meet so many pretty girls who are like, 'Here I am! Don't you want me because I look good?' That concept is so weird to me. I want to know, 'What else do you have going on?
I've always felt so different from how I look. I meet so many pretty girls who are like, 'Here I am! Don't you want me because I look good?' That concept is so weird to me. I want to know, 'What else do you have going on?'
I've often tried to describe how memory works. I've suggested this to students, and told them to close their eyes and try to remember what I look like. Then I ask them if they remember what I look like. But when you open your eyes you will be surprised how different what you thought I looked like is to what I actually look like. Because the imagination is a different raw material from actual vision. Memory is very different from the thing itself.
What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully.
There were no surprises, because when you sell a pilot based on a pitch, no matter how great the script is, it's going to look different and feel different from what someone imagines in their head. There will always be varying degrees of disappointment or confusion.
No matter how hard I worked, whatever I accomplished was attributed to my looks. If you're working your ass off, then you don't want to be told that you only got whatever because of the way you look. It takes the heart out of you.
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