A Quote by Mike Judge
I probably drive casting people crazy because I'm not thinking about actors so much as real people.
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If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.
The things that drive me crazy are coming from this place of people suffering because of people polluting into rivers or whatever. It's not simply just about systems; it's an emotional reaction to seeing animals or people suffering.
It's been a real success - one of the great business successes in the United States - to break down organization, to separate people too: it's part of consumerism. If you can drive people toward individual consumption, that's the highest goal in life. And furthermore, drive them into debt so they're trapped. You don't have to worry about a democracy function because people are trapped and they're alone.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
There are just so many options that people have. But as a writer, you'll drive yourself crazy, if you worry about that too much. People watch a lot of TV, so they think certain things are going to happen, and you're always trying to subvert expectations.
People obsess about casting and representation, but really, all the real work is behind the camera. Casting an Asian American into a bad role where they're shoehorned into these stereotypes is worse than not having cast them at all.
There's actors and actresses who I call 'Trailer Stars' because their importance is expressed by how big their trailers are. And then there are real actors, who are real good people.
The thing about people who are truly and malignantly crazy: their real genius is for making the people around them think they themselves are crazy. In military science this is called Psy-Ops, for your info.
Obviously, once you're finished, you're like, "Okay, I have to make this a movie now, and I need people - bodies to play these parts, and actors to bring this thing beyond a script." But when I was writing it, I wasn't thinking of actors; I was really thinking about creating three-dimensional characters.
It's interesting, because I've worked with people who are just not nice people, and I've worked with people who are crazy, and the difference is: crazy is much worse.
If people love what I do, that's fantastic. And there's always going to be people who don't, and if I focus on that, then it'll destroy me. I have to just worry about my own opinion and the opinions of the people I'm working with and people who are close to me. Otherwise, it'll drive me crazy.
I was thinking that people have to believe you're crazy in order to take you seriously as an artist. If you're wandering the streets, talking in gibberish, nobody ever asks you to change anything about your art because there's no context for people to look at what you do.
What's funny about that is when I was writing Twilight just for myself and not thinking of it as a book, I was not thinking about publishing, and yet at the same time I was casting it in my head. Because when I read books, I see them very visually.
When people downloading records for free you start to think, "Is it worth spending all this money to make a record sound good, especially if it's going to end up as an mp3?" But I can't drive myself too crazy thinking about that. On one level, being involved in art is all a quixotic thing to begin with.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
At 'The West Wing,' I cast newscasters, and when you put out a casting call for actors, half of the people who come in are real local L.A. newscasters. Each time, I ended up hiring one of them, because they're better at it. Big surprise! A newscaster is better at playing a newscaster than an actor is.
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