A Quote by Mike Judge
I think at the point when they were first starting to talk about a movie, it was a little bit different back then.
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We live in a culture that encourages us to be big about ourselves, and I think the starting point of trying to build inner goodness is to be a little bit smaller about yourself.
By having a little bit of knowledge about many different things, it enables me to talk to people about a subject that they would not ordinarily think I could talk about. It's a lever for me, I suppose.
If you're talking about musically, I think I understand just a little bit more about things that were mostly intuited back then - how certain timings and tones work, so I can be a little more analytical about things now.
When you screen it the first couple times, you're just trying to get the movie to work, trying to get the story to flow, trying to find out where your areas are where you have enough breath to laugh a little bit. So you're doing that the first two or three screenings, and then finally, you dial the movie in and it's working, and at that point, it's 50/50 as far as what's funny and what's working. Sometimes you'll put something in and it will just die so hard that it'll almost kill the movie.
The starting point of great success in your life begins, in the simplest terms, when you discipline yourself to think and talk about only the things you want and refuse to think and talk about anything you don't want.
This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought.
That movie was my girlfriend. That was my girl." I knew there was going to be initial anger. As a matter of fact, when I was deciding to do Footloose that was one of the first things that I had to realize. First of all, I had to figure out a human connection to it but then I also had to reconcile that I was going to get beat up a little bit on this a little bit.
Every time you make a movie it's a new and different experience. You learn very little from the past. So, I'm a little bit better than I was when I first started.
It's different for each individual. It's different when you talk about homosexuality. It's different when you talk about a malady like deafness. Everybody might have a different response to that and that's what makes it an interesting subject to throw in a movie.
It's emotion. When you are watching a movie you see a woman sitting with her daughter and looking in her eyes and you see butterflies flying in the background and then you suddenly hear scary movie music and it changes the whole thing. But if something sounds different it changes the movie. Music is the back drop of what you talk about.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
I'll never lose my roots. I think I'm too close to my family for that. I still make my trip back to Nebraska every year, and I still love going back to Texas where I grew up, as well. I've just kind of had to mature a little bit more and get used to a little bit different style of life.
I cooked a little bit in my first movie; I did a movie called 'Made.' For the little kid in the movie, I do a scene where I'm preparing a pasta puttanesca. I always loved watching that scene.
Good genre movies are a little bit like trying to write a haiku. There are certain things that you have to do to fulfill the audience's expectations, but inside that, you have complete freedom to talk about whatever you want. Who wants to see a movie about gun violence in America and class? But, if you set it in this terrifying, fun, roller coaster ride of a movie, you can talk about whatever you want. That's been the game that genre movies play, when they do it well.
I'm very much for strengthening our industry at home. It's great now there's a lot of work happening but I think with Irish film in particular, the views were starting to get a little stereotypical and we were pigeonholing ourselves a little bit. We needed to get out of that.
Every comedian has a moment in his life when he realizes he's a little bit different from everyone else. It's like being the only guy in a movie who sees the ghost. The ghost talks to you and you talk to him. Then you turn to your friend and say, "Hey. Do you see that ghost? And he says, What ghost?"
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