A Quote by Mike Keneally

Three of tonights performers are members of the group Return To One, whose album Hopes and Dreams I heard for the first time a couple of weeks ago. Blown away by the album, I called Nathan Hubbard, the drummer and composer for the group, and with whom I've played on a couple of Trummerflora-related occasions, and asked him to round up several of his Return To One cohorts for tonight's show. I can't recommend their album highly enough; please pick up a copy.
I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
I had just finished a run of shows in the States and went to NY to work with BenZel for a couple weeks, mainly as a different focus to touring. I didn't have any expectations or pressures with what would come out of those two weeks, and think 'Tough Love' sums this up. It was me experimenting with my voice and having fun with it. It just felt right and kind of dictated the route of the next album, much like 'Devotion' did on my first album
First of all, Marty Foster is a really good fellow. No. 2, Google or YouTube the time he called Ben Zobrist out on a strike three against Joe Nathan couple years ago that gave Joe Nathan his 300th save.
There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
We played some gigs in Switzerland a couple of weeks ago and it was the first time I really felt the group was really a band in the sense of something I could write for.
The only thing I can think of is my favorite album at the moment by this guy called Father John Misty, and the album is called I Love You, Honeybear. It's just brilliant. It's the album I'm currently obsessed with. It is original, and the lyrics are fantastic and [it's] brilliant. So that's blowing me away.
I have no preconceived ideas; I gave that up a long time ago... The only thing we can do as musicians is make an album we like, and an album that we consider to be incredibly good.
On my first album nobody asked me for a lot of advice. It was a producer's album. We were sent the same type songs with stock melodies. It was my first album and I was happy to do about anything they'd ask me.
Growing up, I remember I had several different 45 singles. But the first album I received was from a family friend: Emmylou Harris' 'Roses In The Snow.' It was so incredible. This record, to this day, is the favorite album of my life.
I've been through a lot, both personally and professionally, and the album that I started to record two and a half years ago is a different album from the one that exists today. I even changed the album title. First it was 'All I Want is Everything,' and now it's 'Jumping Trains.'
I met Quincy [Jones], he had heard my album, someone played the album and he flipped over it.
I've been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he's on my album. We did a one round battle on my album and that was just me capturing These Days.
I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
I thought it was time to get a group together and the first person I thought of was Wayne Shorter. I called Wayne and in the meantime, Wayne called me to make an album with him, which was Super Nova.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
Our first album sold a million copies. Because we had such a big hit on the first album, it's always like, 'You can't top the first album.'
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