A Quote by Mike Krzyzewski
I'm still not a great reader, but my wife is and my daughters are, and I envy them. I think I got into a bad habit of trying to do something all the time, instead of trying to sit down and take my time a little bit.
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Because if you're trying to write and you have unlimited time, you can procrastinate an unlimited account, but if you have limited time, you rush to the page trying to get something down in the little bit of fragment of time that you have, and you may write a great deal that way.
You cannot win all the time and, often, we don't win that much. You have to have something and I think if we can create an environment where people genuinely think that we are trying to help them, trying to improve them and make them better, then OK, maybe they will try a bit harder, and do a bit better for the team and the club.
I don't always have the time I wish I had to understand something I don't understand. So I'm trying to do a little bit less of the quick pieces and a little bit more of the "here's how the Singaporean health care system works" kind of stuff, because to be good at my job, I have to keep learning. The thing that I fear the most is becoming one of those journalists who is still trying to apply the thinking of the decade in which they started three or four decades later.
I spent a lot of time, a lot of energy trying to be a better artist and I still [do]. I spend a lot of time focusing on my craft. If you're going to take your passion into something beyond just something for fun on the side, you got to spend a lot of time on it to be great, and then you've got to make smart decisions about who you collaborate with [and] where you live [to] put yourself in the right situations to meet the right people to catch those breaks.
Country radio went through a time where they were trying to pigeonhole everybody, and trying to make the gap really narrow, and I think that they've opened that up a little bit.
Sometimes you can press a little bit and you're trying to do too much and you're trying too hard. You want to win so bad and you want to help the team so badly that you end up trying too much instead of letting the play come to you.
That was my fear, which is why when I was took over a book, I was always trying to tweak it a little bit so that it looked like I was trying to add something instead of keeping the status quo.
As soon as I start to write I'm very aware, I'm trying to be aware that a reader just might well pick up this poem, a stranger. So when I'm writing - and I think that this is important for all writers - I'm trying to be a writer and a reader back and forth. I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I'll read those lines as if I had never seen them before and as if I had never written them.
The impositions that this government is trying to put on now, it's the typical death by 1,000 cuts. We'll take a little bit here, we'll take a little bit here, we'll take a little bit here. And it doesn't end the conversations for 25, 50 years. It starts the conversation again the next day what they're looking to take back.And really it's about freedoms.
To be honest, the first time round, I didn't think 'Fame Academy' was the worst premise in the world. You got people on, and they would write songs and develop themselves as artists. But then, instead of getting a little bit more credible, it got a little bit more ridiculous.
We waste a lot of time and a lot of talent trying to write for the common reader, whom we will never meet. Instead we should be writing for our ideal reader.
If the wave is getting bigger, it causes the time to grow a little bit. If the wave is trying to contract, it reduces it a little bit. So, you can see this oscillation in time on the clock.
I guess I'm not jaded because I still believe that there are good films out there, and there are great directors, and there are great writers. It just takes a little bit more perseverance and a little bit more time to find [them].
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
Every time you show something to somebody they're going in one direction, when they see that thing you did they're going to go off track - maybe towards a direction that you think is more important. They'll be more discerning, they'll probably see things a little bit more profoundly, they'll spend more time trying to understand what's in front of them.
I think a lot of times people from the traditional DJing world think I'm trying to come up with an ultimate dance mix. That's not really what I'm doing. I'm trying to make something a little bit progressive and challenging.
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