A Quote by Mike Love

You can't sustain a fan base on a great catalog alone. You must take your music directly to the people. — © Mike Love
You can't sustain a fan base on a great catalog alone. You must take your music directly to the people.
I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
I've been fortunate, I've been blessed, and I attribute my success to all my fans. People want to do things with you when you have a big fan base, and I have a great fan base.
I felt a particular attachment, naturally, to the Superman character and really dug deep, but at the same time, I am a passionate fan, be it Star Wars, be it the entire Marvel catalog, be it the DC catalog, or the original thinking at Pixar. I'm a fan first, so I'm always curious to see the way people express themselves and how it's being done.
In some ways, I value specificity. I think that there's power in, once you know who your fan base is, being able to speak to them. I hope to cultivate a fan base of black girls and black people and people of color, women of color, queer people, people who are are marginalized in general.
I'm the ayatollah of the Jane Austen fan base! I want to lead the fan base, not be attacked and devoured by the fan base.
I don't have a massive fan base. I don't have Patton Oswalt numbers, but the fan base I have is incredibly generous, and of the 22,000 people who follow me on Twitter, I think almost all of those people participate.
These 'Supernatural' conventions are such a great time. The fan base is like none other, and I'm sure I'll never experience a fan base that support is the same with - their kind of unbridled decency towards the actors makes me not have to worry about going into the crowd.
Over time, is it easier or harder to sustain your influence within your organization? With charisma alone, influence becomes increasingly more difficult to sustain. With character, as time passes, influence builds and requires less work to sustain.
I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.
It's always good to have your fan base and to continue to do what you love to do and making a living and seeing the people and travel and do everything, it's always a great thing for me.
The only way to build a fan base is to have a lot of material out there for readers to find. You can't manufacture a fan base. You create it, one story at a time.
The fan base and the passion of the fan base is a large part of the story of the show 'Fringe.'
As a singer-turned-actor, you will already have a fan base. However, if you don't do well in the movies, your career in music is also at risk.
It's a beautiful thing to build your own fan base and pay the bills knowing that you're staying true to your music at the end of the day. I look at life like this, the sky's the limit!
It's something we're trying to change and NASCAR is as a whole trying to bring in a younger fan base, a different-looking fan base, we're trying to change the whole demographic of the sport. Me going out to do that is something I'll take responsibility for.
In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.
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