A Quote by Mike May
Still, I tune out the visual input when it is too distracting, mainly in conversations.
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I'm a visual person - when I write, my input is always visual. I worked in television for several years.
When you're too robotic and scripted, the students tune you out. So I always tried to use different learning modalities - kinesthetic, auditory, visual, whatever might bring learning to life.
I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.
When we live apart from God, our lives get out of tune - out of harmony with others and with God. But if we live in tune with the Master, we, too, will find ourselves surrounded by His beautiful music. As this new year begins, ask God to help you tune your life every day to His Word, so you can bring harmony and joy to those around you.
Images are not only visual. They're also auditory, they involve sensuous impressions, bundles of information that come to us through our senses, and mainly through seeing and hearing: the audio-visual field.
I'm mainly a dancer, but I've been offered to write songs on albums this year, and that's really cool. I never thought I'd get to do that. It's out of my comfort zone, but I loved having that input. It makes you feel more involved, when you have that creative control.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
I still remember how hard I worked on the tune of 'Raree rareeram... ;' the first tune I tried was rejected.
We were just amazed we were putting out a record. We were, and are, still learning. But we've never cared much for professionalism as long as the energy was there. Like our live shows: We're out of tune and use a lot of feedback. That's not on purpose or because we don't care, we're just musically and rhythmically retarded and we play so hard that we can't tune our guitars fast enough.
We also use our imagination and take shortcuts to fill gaps in patterns of nonvisual data. As with visual input, we draw conclusions and make judgments based on uncertain and incomplete information, and we conclude, when we are done analyzing the patterns, that out picture is clear and accurate. But is it?
I scowled defensively. "My conversations don't usually include the subject of erections." "Too bad," he said. "All the best conversations do.
Music reigns supreme. It does not need a visual prop. While listening to a number, do you enjoy the tune, or do you enjoy it because you imagine someone singing it? In fact, quite a few hits of mine are from films that no one has heard about. The songs still rule, though.
Distracting a politician from governing is like distracting a bear from eating your baby.
Not only has photography so thoroughly saturated our visual environment as to make the invention of visual images seem archaic, but it is also clear that photography is too multiple, too useful to other discourses, ever to be wholly contained within traditional definitions of art.
There was a great sense of community mainly among the women artists at the time because we felt left out. I still know most of the women that I knew then, the ones that are still alive.
Sometimes I can listen to music - sometimes there's no choice, especially if I'm out writing at a coffee place. But sometimes it's too distracting. If I'm listening to something I really love - I have to stop and give everything over to it. I'm listening to its structures, its melodic lines, the bass. It takes up too much of my head - in a good way.
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