A Quote by Mike McCready

Playing onstage, I'm always aware of where the bathrooms are. When Crohn's hits, I have to run, or it won't be pretty. — © Mike McCready
Playing onstage, I'm always aware of where the bathrooms are. When Crohn's hits, I have to run, or it won't be pretty.
Crohn's doesn't define who you are. You are a human being; you are special and a great addition to society. Crohn's is just a part of your life. Try to be positive and proactive - therein lies the solution.
The distance thing is partially due to the fact that I'm pretty shy and I've struggled with extreme stage fright in the past. So I just have to go onstage in a different head space so I'm not as self-aware.
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine.
I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
I've always enjoyed playing live onstage.
As a kid, I would do all of the plays at my school, and I was notorious for being in five numbers in one show. I'd go onstage, run backstage for a wardrobe change, and then go back out onstage. I'm always trying to do more than I should but when I got my lucky break (or whatever it's called), I was prepared because I studied and worked really hard for it.
There will always be economic pressure to make hits, identify hits, and then exploit hits. And you're going to exploit them with as many episodes as you probably can.
A comic book and a straight drama all have the same elements. If you're playing tragedy, you have to be aware of the comedy; if you're playing comedy, you have to be aware of the tragedy. If you're playing comic book, you have to be aware of the reality.
I'm not a one-hit wonder as some suggest. I've had a couple of hits, but still, all of my hits were in the '70s. There was pretty much nothing in the '80s, '90s, or in the first full decade into the next millennium.
I'm pretty much an open book. I've pretty much talked about anything I'm going through onstage. Between interviews and curious fans, I've been asked everything. And I always give answers. I don't shy away from anything.
I'm pretty professional. I'm very aware when I'm not playing well and what I need to improve. I'm pretty motivated to fix things. There are guys out there who are not realistic; they don't like to take blame for certain things they don't do well. That's the nature of doubles sometimes: it's easy to find faults in your partner.
Why certainly I'd like to have that fellow who hits a home run every time at bat, who strikes out every opposing batter when he's pitching, who throws strikes to any base or the plate when he's playing outfield and who's always thinking about two innings ahead just what he'll do to baffle the other team. Any manager would want a guy like that playing for him. The only trouble is to get him to put down his cup of beer and come down out of the stands and do those things.
I always enjoyed the feeling of being onstage - the magic that comes. When I hit the stage it’s like all of a sudden a magic from somewhere just comes and the spirit just hits you and you just lose control of yourself.
Sometimes, occasionally, people will make out in the audience, completely not aware that there's a human being onstage just yards away from them, who can see them. Sometimes people think that you're on television while you're onstage, so you're not even a person.
If somebody thinks wearing pretty dresses onstage somehow discredits us that's pretty absurd.
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