A Quote by Mike McCready
There's a Kiss through-line to a lot of the music that came out of Seattle, and it hasn't been talked about a lot.
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When I originally came from 'Cheetah Girls,' I was making music that was real to me but not believable. I think there was a disconnect there. I am a grown woman, and I've been through a lot. The most important thing about my music is that we don't jump the gun and throw anything out there.
I listened to a lot of reggae music, a lot of Caribbean, a lot of gospel, a lot of rock, a lot of country, hip-hop... you know, so it just gave me perspective when it came to music and what I liked.
I would say a lot of it came from a lot of different drills that Coach Fleck put me through. That's my man. He taught me a lot, a lot, a lot about receiver play. And he taught me a lot about catching the ball and just hand placement.
I came to music and knowing a little bit about life, and I came to music knowing a lot about business - and that's a real advantage. By the time I came to music, I had purchased real estate, opened restaurants, and been in the business world, so the music business didn't blindside me.
I used to listen to so much doo-wop, and I've talked a lot about gospel music, but I realised a lot of that language came from doo-wop music. You know, "I Asked the Lord Above," "Heaven Sent Me an Angel." That's rock-'n-roll, and that's where a lot of this language is coming from. Also, I've said before that as soon as you start having a conversation with Jesus in a song you know you're dealing with issues of morality and how fragile it is to be human. It's a shortcut to putting those ideas across.
My music is about where I am at the time. In 'Raymond vs. Raymond,' I was going through a lot of things, and it came out in my music. My marriage fell apart, and I was suddenly a single father.
I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that's how the album came out so dark.
By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.
My friend Chloe Bartoli is a really cool stylist. I've talked about fashion with her a lot over the years. And I love Rihanna - she's rad. Through modeling, I've gotten to know a lot of designers that are really cool. Stefano and Domenico of Dolce & Gabbana have been really sweet.
I sure saw a lot of kids that I'm sure didn't know a lot about us, or we were definitely new to them. The kids who came up to me afterward, we'd talk about music, sign a lot of autographs. So I'm sure we made a lot of new fans.
The rock & roll industry is very incestuous, and we have all been close at one time or another. A lot of beautiful music and a lot of beautiful times came from that. A lot of pain, too, because, inevitably, different relationships broke up.
A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldnt have happened without the social changes.
I've been through a lot. I've thought a lot about life, and I've spent a lot of time studying history and science.
A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.
Some early writing say that when people kiss, they exchange the soul, that it's between their mouths and tongues that the soul is exchanged. And so the kiss is more of a soulful connection maybe than intercourse and other ways of being together. A kiss asks a lot from you. I think it asks a lot from a person to really kiss.
I think that the moment we're living in offers the best opportunity we've had in a long time in that a lot of things having to do with identity politics are being talked about in poems. The only problem there is that a lot of the time these are being talked about in confessional modes.
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