A Quote by Mike McCready
In the early days of Pearl Jam, we were caught up in such a whirlwind that I was just trying to keep my head on straight and play music. I didn't have the kind of confidence that other guys in the band did.
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Mike, the best band to ever come out of Seattle was, of course, Pearl Jam. And that's what I expect the Seahawks to do - just jam it up the middle.
The coolest thing for me to do was listen to Pearl Jam's 'Ten,' Nirvana's 'Nevermind,' or Soundgarden and play along to it and think about how awesome it would be to be in one of those bands and be up on stage. When I'd close my eyes at 13 and dream of being in Pearl Jam or one of those bands, it was exactly like how it is now with the band I'm in.
I think first huge gay following started out with our keyboard player Jesper Anderberg. When he joined the band we were still in high school, and he was two years younger than us. He has a really boyish look, so all the gay guys fell in love with him straight away. We have a couple of cute guys in the band, and we play that kind of music that will go in a club. And I was dating a girl for a while - that might have something to do with it.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
My early days in Broadway were all comedies. I never did a straight play on Broadway.
Pearl Jam's 'Alive' is the reason I started to play music.
From the very beginning, we were all a hundred and ten percent about the music, from the very early days when we could barely play our instruments, and we were just covering other people's songs when we were in high school.
When we were starting out as a band in New York, we played a concert at a small club early on and asked Lady Gaga to open for us. We were big fans, and she had the same kind of approach to music as we did: not taking everything so seriously and just having fun.
There were two things I discovered when I toured with Snoop. One was that the band was all jazz musicians. The second was to instil in me a respect for other styles of music. From then on, whenever I played a new kind of music, I came with the same kind of open mind. What are they trying to do? What are they hearing? How do they see music?
I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.
I started out trying to play more straight-ahead jazz. I went to Berklee in the early '60s when it was a brand new school, and so there was no fusion music. There wasn't a lot of mixing together of different kinds of music at that time, so jazz was kind of pure jazz.
I can certainly see a band like Nirvana, like when they started having to play to the kind of guys that beat them up in high school - that was probably shocking. But you make music to move people and you don't get to pick who you move. You just don't. It's exclusionary and elitist and I just never felt that way about music, of all things. The great unifier.
I think the singer in Pearl Jam should eat some Pearl Jam! He cannot sing to save his life! And the guitar player needs to seek help.
I never play as well without these guys; the best I have ever been creatively has been with Pearl Jam.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Duane Allman was bursting with energy ... he was a force to be reckoned with. His drive and focus, as well as his intense belief in himself and our band, was incredible. He knew we were going to make it. We all knew we were a good band, but no one had that supreme confidence like he did, and it was a great thing, because his confidence and enthusiam were infectious... it says a lot that his hero was Muhammad Ali. That kind of supreme confidence that Ali had - that's where Duane was coming from
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