A Quote by Mike McCready

There are moments in South America, in Brazil, where you look out, and there are literally thirty, forty thousand people jumping up and down at the same time. — © Mike McCready
There are moments in South America, in Brazil, where you look out, and there are literally thirty, forty thousand people jumping up and down at the same time.
You know, people tend to get stereotyped for about forty percent of their behavior, so if you're completely crazy forty percent of the time you'll get stereotyped as crazy, even if you're totally boring thirty percent of the time and just studious the other thirty percent of the time.
Thirty or forty proprietors, with incomes answering to between one thousand and five thousand a year, would create a much more effectual demand for the necessaries, conveniences, and luxuries of life, than a single proprietor possessing a hundred thousand a year.
We used to say, 'I don't wanna be jumping around and going crazy when I'm thirty,' you know? Even Mick Jagger said, 'Well, I can't see myself at forty jumping around.' Well, here we are, you know?
When I read that the British army had landed thirty-two thousand troops - and I had realized, not very long before, that Philadelphia only had thirty thousand people in it - it practically lifted me out of my chair.
What makes you walk past thirty-thousand people without a second glance, and then you look at the thirty-thousandth-and-first person and know you'll never take your eyes off her again?
It amazes me how easy it is for things to change, how easy it is to start off down the same road you always take and wind up somewhere new. Just one false step, one pause, one detour, and you end up with new friends or a bad reputation or a boyfriend or a breakup. It's never occurred to me before; I've never been able to see it. And it makes me feel, weirdly, like maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
I mean in recent years, I think you've only got to sell thirty or forty thousand to get a #1.
Everywhere I've been, from South Africa to Brazil, people are connected to it. For me, art is a way to bring people together. You can put people on the same level, the perception is the same. You can bring a worker, like a cleaning guy, or the richest guy on earth, and they will have the same feeling or they would be able to feel the same.
I'd like the people teaching my kids to be good enough that they could get a job at the company I work for, making a hundred thousand dollars a year. Why should they work at a school for thirty-five to forty thousand dollars if they could get a job here at a hundred thousand dollars a year?
I was transformed by picking up a pair of binoculars and looking up, and that's hard to do for a city kid because when you look up you just see buildings - and really, your first thought is to look in people's windows. So to look out of the space - out of living space - and look up to the sky, binoculars go far, literally and figuratively.
If our lives are made up of a string of a thousand moments, at some of those moments we look a lot more spiritually evolved than at others.
It is something unique to the South, the way people look up to actors and worship them and literally celebrate their film.
Maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
Jumping up and down is definitely sexy," Vayl assured me. "Would you like to do it two or three times right now before we get down to business?" Sterling and Cole groaned at the same time "Ewww!
South Africa and Brazil are very similar. We have the same social problems, same issues and same growing economies.
I am a rapid-cycling manic-depressive, bi-polar one disorder, which means I can have thirty or forty episodes a year, and I used to have thirty to forty episodes a year.
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