A Quote by Mike McCurry

By and large, people are sort of technologically averse in the political space. — © Mike McCurry
By and large, people are sort of technologically averse in the political space.
I believe that the manned space program can engage the public by advancing the space frontier. Every next mission takes you farther out in space than you were before, either technologically or in terms of distance.
Some people are averse to competition and allow the words 'co-operation' and 'humanism' to drool from their mouths, apparently meaning thereby a large blob of protoplasmic homogeneity that lacks all individuality. It is not individuals and their liberty that concerns them, but rather some sort of well greased squirming mass that would seem to be analogous to the brains from which such amorphous 'ideas' emanate.
Space exploration is important research to our economic and national defense, and America's space program is a symbol of our success as a scientifically and technologically advanced nation.
Cinema is a technologically mediated dreamspace, a way to access, a portal to the numinous that unfolded in the fourth dimension, so cinema became sort of a waking dream where we can travel in space and time, where we can travel in mind. This became more than virtual reality, this became a real virtuality.
There is a brief time for sex, and a long time when sex is out of place. But when it is out of place as an activity there still should be the large and quiet space in the consciousness where it lives quiescent. Old people can have a lovely quiescent sort of sex, like apples, leaving the young quite free for their sort.
A political philosophy (often called "political science" by practitioners who are not averse from verbal trickery) must deal with contemporary realities. If it does not, if it is charged with "ideals," it is merely a variety of romantic fiction, although it may not be recognized as such.
I take space to be the central fact to man born in America. I spell it large because it comes large here. Large and without mercy.
Technologically, it is not hard to launch an object into space. Emotionally, it has been difficult.
When I was thinking of people for the Space Twins, I wanted people who were sort of space cadets in the first place. I consider myself to be one.
I think the book [Straight to the Heart: Political Cantos] has meaning for any large city with urban problems. There are political machines in a lot of large cities, and everywhere the goals of society get lost.
Despite the fact that there's billions of dollars sitting in the Iraqi government reserves, somehow they are incapable of getting it out to the people. There are a very large number of people here who are on the edge of starvation. For those sort of people - a sizable chunk of people - that service makes them regard Muqtada as a sort of god.
One problem with people is that as soon as they fill a space it's them you see and not the space. Large, desolate landscapes stop being large, desolate landscapes once they have people in them. They define what the eye sees. And the human eye is almost always directed at other humans. In this way an illusion is created that humans are more important than those things on earth which are not human. It's a sick illusion.
In order to understand the phenomena in a certain plasma region, it is necessary to map not only the magnetic but also the electric field and the electric currents. Space is filled with a network of currents which transfer energy and momentum over large or very large distances. The currents often pinch to filamentary or surface currents. The latter are likely to give space, as also interstellar and intergalactic space, a cellular structure.
The ceiling was curved, giving the space a cave-like feel, and it was either very large, very small, or sort of normal-sized.
For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
I don't think the government should touch art. Governments are risk averse. They encourage risk-averse personalities to be artists.
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