A Quote by Mike Mignola
Baltimore was never intended to be anything other than this original novel that Chris Golden and I did together. There was never any thought of this thing going on and becoming a series. If there's any common thing between these characters, it's that they weren't anything I was seeing in comics. Almost everything I've done is something I wish somebody else was doing, because it's what I'd like to read.
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You know what your trouble is? You're the kind who always reads the handbook. Anything people build, any kind of technology, it's going to have some specific purpose. It's for doing something that somebody already understands. But if it's new technology, it'll open areas nobody's ever thought of before. You read the manual, man, and you won't play around with it, not the same way. And you get all funny when somebody else uses it to do something you never thought of.
Some men and women are inquisitive about everything, they are always asking, if they see any one with anything they ask what is that thing, what is it you are carrying, what are you going to be doing with that thing, why have you that thing, where did you get that thing, how long will you have that thing, there are very many men and women who want to know about anything about everything.
I quit comics because I got completely sick of it. I was drawing comics all the time and didn't have the time or energy to do anything else. That got to me in the end. I never made enough money from comics to be able to take a break and do something else. Now I just can't stand comics. . . . I wish my work would be recognized by a larger crowd of people as more art than be stuck with the cartoonist label for the rest of my life.
There was never anything I wanted to do more than play tennis. Never once walked out there and thought, 'I wish I was doing something else.' Not once.
Because, as we know, almost anything can be read into any book if you are determined enough. This will be especially impressed on anyone who has written fantastic fiction. He will find reviewers, both favourable and hostile, reading into his stories all manner of allegorical meanings which he never intended. (Some of the allegories thus imposed on my own books have been so ingenious and interesting that I often wish I had thought of them myself.)
I never had any other thought in my mind. I was gonna write songs, I was gonna be a star and a singer and I never thought of doing anything else.
One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.
I was a voracious reader and I could never understand why comics were of any less merit or importance than any other way of writing. I think the thing that keeps me with comics is there's still so much to be done. There's still this huge unplowed field, this huge unexplored wilderness, and as long as I can keep doing new things and coming up with new things, I will.
I'm never going to accomplish anything; that's perfectly clear to me. I'm never going to be famous. My name will never be writ large on the roster of Those Who Do Things. I don't do anything. Not one single thing. I used to bite my nails, but I don't even do that any more.
There's a thing, in general, about doing any kind of series, especially when the characters remain the same, to go back and try to improve whatever you did in the last movie, which never happens.
The 14th Amendment was passed after the Civil War to apply to former slaves to ensure that they are treated like all other citizens. It never did have anything to do with gay marriage. It was never intended to have anything to do with gay marriage or animal marriage or any other kind of social contract. It was specific to slavery, and after the Civli War.
I didn't start drag because I thought it would be a ticket to anything. I did it for my own narcissistic fulfilment. When I started selling records, going on tour, doing TV... I never expected any of it.
I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
Show me what society that ever existed that did not use the tools that they had available. Ask any person from East Germany... you will never hear somebody say, 'The Stasi never bothered me because I didn't have anything to hide.' That's not a thing that people say.
What keeps you motivated? The challenge of putting all the elements of a team together and seeing how you do and what you become is the thing that I still enjoy. I also enjoy the associations and relationships with the players and other coaches - to be in the arena, so to speak. I still enjoy that. I'm also at the point, though, that if we're not doing well - it's tough enough as it is - that I'm not going to be hanging on just to be hanging on. Because it's not anything I need from an ego standpoint or anything else. I just thoroughly enjoy what I'm doing.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
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