A Quote by Mike Mignola
I've always been much more comfortable with drawing fantasy stuff.
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I've always felt more comfortable in fantasy. Fantasy has felt more real to me at times. Drawing was an immediate outlet for that: to create. It's been my ability to create my own world.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
There's always been this strand of filmmaking in Britain which is like socialist neo-realism. That's always been there. I've never been part of that, really; I've been much closer to fantasy.
It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. All of a sudden, things change. It's amazing, in working with actors, how much I learn from them and how many new lines will come to mind because of their personality or their strengths.
I have always been a fan of genre stuff and fantasy and sci-fi.
I think we've always, as a species, been fascinated with stuff that we don't understand. Anytime someone can shed light on that, whether it's legit or just somebody's fantasy of what that stuff is, I think people take notice.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
There was about six months when I was absorbing other stuff and not drawing very much. After a long period of not drawing, you have to, like, relearn how to draw. It's not very fun.
The Army was always big on Clausewitz, the Prussian; the Navy on Alfred Thayer Mahan, the American; and the Air Force on Giulio Douhet, the Italian. But the Marine Corps has always been more Eastern-oriented. I am much more comfortable with Sun-tzu and his approach to warfare.
All comic books take place in built environments, and I was very good at drawing people and animals, and stuff like that, but I hadn't spent much energy drawing buildings. So I thought, maybe I could, and then I became an architect.
I loved fairy tales as a kid. I've always been drawn to fantasy. They're always exciting. There's never a dull moment. I just love the embellishments and the magical stuff. It's such fun to work with and to re-imagine your own way.
Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.
You know, I said I have this problem that I need to more carefully read Akron's text because it's too much, too much fantasy, and so I am busy with other stuff - it's funny, it's nice to hear that someone is studying that carefully and now I know a little bit more about that.
I've always been into 'fast-paced, don't bore 'em, keep it moving along, stick with the story.' You know: tell a story the way I want to hear a story. I find it more rewarding to write for kids, but I also find it a little easier, because you can just let loose a little bit more in terms of fantasy and stuff.
Today, kids are much more aware of what fashion means, but when I was growing up, it was popular, but not as popular as today. Like any kid, I was fascinated by drawing. But when some of the kids let go, I kept drawing and drawing.
I'm fairly comfortable in fight sequences and stuff like that. I've done a few of them. I'm comfortable with that sort of stuff as long as I'm reasonably fit, and it's fun to do actually. I'm like a kid in a toy shop doing that stuff.
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