A Quote by Mike Mignola
I'm thinking about color all the time. Sometimes even as far back as the plotting sequence.
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About 85 per cent of my "thinking" time was spent getting into a position to think, to make a decision, to learn something I needed to know. Much more time went into finding or obtaining information than into digesting it. Hours went into the plotting of graphs... When the graphs were finished, the relations were obvious at once, but the plotting had to be done in order to make them so.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National Portrait Gallery, I'm not thinking about the sitter; I'm thinking about how the artist chose that color or that highlight. It becomes about the time, place, and context.
I'm thinking about doing dusty colors - we definitely are doing as much color as we can. It seems that fashion is back on track with color - I hope. It's been very black for awhile.
You come back to the beginning. That's why in the "Searching for the Ox" sequence, at the very end of that sequence of the Zen paintings, we're back in the world again.
I've gone far in the movie business, but no matter how far I go, every time I pick up the phone to call Tom Hanks or Robin Williams, I wonder if they'll call me back. And you know what? Sometimes they do, and sometimes they don't.
Usually I'm thinking about the palette. I'm thinking about the color for the most part, then I'll start thinking about composition and movement.
I was spending way too much time thinking about me and what I needed to do, and far too little time thinking about Jesus and what he had already done for me.
I just write about what comes up. Sometimes you're thinking about Palestine, and sometimes you're thinking about sex. People have a lot going on.
That's the power of music, a key sequence or a chord sequence or even a note can do something to you physically that's uncontrollable.
There's a clean simplicity to the plotting of 'Sinister,' whether you like it or not. And the scares are deliberate and even heavy-handed in a way. There's not a lot of sophistication or nuance in the plotting and not much restraint in the scares - and that's a part of what makes the movie accessible.
At fashion shows, my brows often get bleached, and they've been dyed back much darker - like jet black, where you can't even see my skin. Sometimes with Just for Men! What a mistake. At times, the two brows aren't even the same color!
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.
Sometimes you can block out a lot of things because you're thinking about so much and you can distract yourself, but sometimes that distraction of being ADD can really set you back.
For business, government, and education, the lesson is clear: People ought to be relying far more on objective information and far less on interviews. They might even want to think about scaling back or cancelling interviews altogether. They'll save a lot of time - and make better decisions.
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