A Quote by Mike Mills

It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global. — © Mike Mills
It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.
Schoolchildren are not taught how to distinguish accurate information from inaccurate information online - surely there are ways to design web-browsers to help with this task and ways to teach young people how to use the powerful online tools available to them.
Sometimes I feel like people don't even know how to react in some situations because of online culture. Since many things are online, you might not react to something that is happening live.
I'm not big on awareness about what's going on online but usually if you do too much online stuff then you usually bump into something that hurts.
There's nothing that beats proving you're funny by making a funny thing, and right now there are huge outlets for that, with You Tube and all the other stuff online.
The future of mobile is the future of online. It is how people access online content now.
When it comes to how I portray myself online, I'm trying to be as real as I can and show people every side of what I do and not just put up selfies online of me in full done-up make up and stuff.
How an individual's reputation is protected online is too important and subtle a policy matter to be legislated by a high court, which is institutionally mismatched to the evolving intricacies of the online world.
Designing Online Communities is a must-have for anyone designing or researching online communities, particularly for learning. Owens' work is both comprehensive and eminently readable, a sweeping look at the technologies, design patterns, and cultural forms they produce that is both theoretically ambitious and grounded in examples and tools that will help you develop, research, and manage online communities.
I think half the people who get married now have met online. If I think about all the people in my life who married - they met online, online, online. And it makes sense if you think about it, because you fill out this form of 35 things that really define you and - bam - look, you've got two people who match. It works.
If you look at how much information you put out, even just on your phone, on Facebook, on Google, whatever, you essentially create a clone of yourself online. And that's at the disposal of these large American tech companies.
'm very conscious about how the viewing situation [of the Biennale] creates a situation for the viewer who feels pressured. I don't really have any concept of who looks at my work online. I don't think it's viewed that much online.
Art is consumed in so many different ways. You could say people don't stop to appreciate art. On the other hand, people can consume art more quickly. Twitter, videos posted online - how do you utilize that? How do you identify yourself as an individual when you're sitting at this massive dinner table of the world with everyone on, from Kansas to Dubai?
I guess I cringe when the discussion leads to, rather than books and sentences and characters and the stuff that writers are supposed to be concerned with, how to have an online presence and how many followers you have on Twitter. That stuff always makes me uncomfortable.
One of the reasons I love the online world is that although that exists in abundance you can choose absolutely which part of the online world you want to live in. You can make your own kingdom in that sense.
This goes to show how much of an impact culture has. Even in countries where online access is readily available, there may not be the same expectation for women.
I think online is a better platform. If you look at the metrics, if you look at the delivery system, if you look at social - all of the things that online can do - TV can't compete.
This site uses cookies to ensure you get the best experience. More info...
Got it!