A Quote by Mike Mills
L.A. is so isolated and unhip in a way; it gives you room to figure out who you are and explore more personal stuff.
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The technical stuff does matter. It gives you a bit more ownership, a bit more power to choose what you do so that if you miss one, you can try to figure out a way, and that makes the next kick really exciting because it means you've got to commit everything to it.
I have my guy Semi who is my on the road - he's my personal trainer. He helps me out with training and stuff like that, and he's shown me a lot of things I can do on the road. We were trying to figure out something that I can do everywhere, like in my hotel room, so I don't have to have a gym.
Coming out as a Barbra Streisand fan was way more embarrassing than coming out as a lesbian. To be an artist of my generation willing to be unhip - artists were supposed to be like cowboys.
I don't think you can figure this stuff out. If you could figure all this stuff out, then all the great filmmakers would come out of Yale and Harvard. It's not an intellectual process.
I've had it up to my ears with the personal mythology. It's getting kind of personally sickening. The personal stuff just turns out to be misinterpreted. I've had such an earful for so long, it's gotten tedious. I figure if you stay away from it, you're safe.
What I aspire to do, and what I try the hardest to do, is write stuff that's very personal in its way. I figure I can only say things the way I say them, so I'm trying to do something that is kind of anti-generic.
I found I am not an anarchistic form creator; I'm intuitive, and I'm trying to figure out a way to explore human fragility.
I'm a fashion hoarder. I have a ton of stuff, and I like to cycle it out to have room for more stuff.
I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.
Regarded zoologically, man is today an almost isolated figure in nature. In his cradle, he was less isolated.
Faced with unmeasurables, people steer their way by magic. Before the invention of navigational instruments, a beautiful lady was carved on the prow of the boat to help sailors cross the ocean; and architects, grappling with the intangibles of design, select a guru whose work gives them personal help in areas where there are few rules to follow. The guru, as architectural father-figure, is subject to intense hate and love; either way, the relationship is personal, and necessarily one-to-one.
I've always been someone who likes to share and talk. When something happens to me I [don't] run away from it. I want to dive right into and explore it. Try to figure out why it's happening and try to figure out something good that's going to come out of it.
It's so important for people to pay attention to history and learn from it, because it's the only thing we've got that's going to help us figure out where we are going. Especially the way things are manipulated in the press today. You have to sort through so much stuff to figure out what is real and what is not. It gets harder every day.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
Every time you start a movie is to explore with a director and if you can with the actors and with the other collaborators and try to figure out what's the best way to tell the specific story.
I think there is a tendency for people to become more isolated as they move along a spiritual path. With more development, people get more isolated. Also, as they have more wealth, they get more isolated.
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