A Quote by Mike Mills

Humans are vulnerable, messy little animals and that's normal. And all I want to do is make a space for that in my films. — © Mike Mills
Humans are vulnerable, messy little animals and that's normal. And all I want to do is make a space for that in my films.
When humans act like animals, they become the most dangerous of animals to themselves and other humans, and this is because of another critical difference between humans and animals: Whereas animals are usually restrained by the limits of physical appetites, humans have mental appetites that can be far more gross and capacious than physical ones. Only humans squander and hoard, murder and pillage because of notions.
Humans — who enslave, castrate, experiment on, and fillet other animals — have had an understandable penchant for pretending animals do not feel pain. A sharp distinction between humans and 'animals' is essential if we are to bend them to our will, make them work for us, wear them, eat them — without any disquieting tinges of guilt or regret. It is unseemly of us, who often behave so unfeelingly toward other animals, to contend that only humans can suffer. The behavior of other animals renders such pretensions specious. They are just too much like us.
I call animals "guardians of Being," especially animals that live with humans. Because, for many humans, it's through their contact with animals they get in touch with that level of being.
I make short films, little documentaries, about the co-evolution of humans and technology.
As a human, yeah, it's awesome. You grow up and you are in Little League, and you want to make the all-star team; you go to college, and you want to make the all-star team. So any normal person would want to do it on the biggest stage and highest level. And I'm a normal person. I haven't changed there.
Humans are something very different from animals, and the numbers required to get cloning to work in animals are completely prohibitory with humans.
Welfarists are concerned with the quality of the animals' lives before or even during their slaughter and want animals to be treated, and slaughtered, "humanely." Welfarists don't necessarily feel that it is wrong for humans to use animals for our own purposes.
Young girls in particular aren't given a space to be messy and complicated and express themselves and experiment - they're told to be a little quieter and a little less than.
Truth be told, I hear stories every day that would make you say, 'If you put that in a movie, you wouldn't believe it.' Real life really is kinda incredible; the stories from people's actual lives defy credibility. People's lives are messy, humans are messy, and they're flawed.
So far as this argument is concerned nonhuman animals and infants and retarded humans are in the same category; and if we use this argument to justify experiments on nonhuman animals we have to ask ourselves whether we are also prepared to allow experiments on human infants and retarded adults; and if we make a distinction between animals and these humans, on what basis can we do it, other than a bare-faced - and morally indefensible - preference for members of our own species?
It's not about loving animals. It's about fighting injustice. My whole goal is for humans to have as little contact as possible with animals.
You know, whether it be humans or animals. So even humans - before we can speak or we can understand a baby's cognition - they're already showing us signs that they want choice.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
Everybody knows there is no such thing as normal. There is no black-and-white definition of normal. Normal is subjective. There's only a messy, inconsistent, silly, hopeful version of how we feel most at home in our lives.
I grew up in a family of filmmakers, so I always wanted to make films about animals, especially comical films. Something about animals amuses me. And they have a great mystery. It's the same mystique some people might feel looking at the stars or the ocean.
The love I have for our wildlife is so great, it fills my world. After Black Saturday I saw a world that was black and white, void of animals and humans. What I missed most was the love and life of living with the wildlife. Each day I think of the ones gone and there is a deep hole in my heart. I did not miss the humans or the sounds they make, I missed the animals the sounds of peace and love that came from them. Such beauty and harmony with nature, only animals can be that smart.
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