A Quote by Mike Mills
If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.
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If you look at the beginning of this country, when the pilgrims came to this country, the first year they had a communistic experiment. They said, 'OK, we're going to take the land, we're going to work the land together and share in the fruits of our labor.' They almost starved to death. Almost half of them died that first year.
I looked at the pilgrims coming to America. In their first year, they decided to try a communist experiment. And the first year of the pilgrims, they established this socialistic concept: 'Well, we have all this land before us - let us all work it together.' Oh, how wonderful it sounded. 'Let us all work it together, and we will share in the produce of the land.' They almost starved to death! Almost half of them died, that very first year.
It's not me, it's the songs. I'm just the postman, I deliver the songs. When I first heard Elvis' voice, I knew that I wasn't going to work for anybody ... hearing him for the first time was like busting out of jail. This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway. People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas.
Characters simply come and find me. They sit down, I offer them a coffee. They tell me their story and then they almost always leave. When a character, after drinking some coffee and briefly telling her story, wants dinner and then a place to sleep and then breakfast and so on, for me the time has come to write the novel.
Have you ever had a moment where you finish a piece, and then all of a sudden the piece sort of takes on it's own life beyond you? It doesn't happen every time, but there are some pieces where that happens, and I love that. I feel like that's what I'm seeking nowadays, that moment of transcendence with a piece. Where this thing becomes larger than me as a person. It becomes otherworldly, and then I get separated as maker from it, and then it has it's own life. I love that.
I ask people what piece they are on the chessboard. And some people say 'I'm the king' or 'I'm the knight.' And then they ask me what piece I am, and I say, 'I'm no piece. I take the position of God.'
Life is given to you like a flat piece of land and everything has to be done. I hope that when I'm finished, my piece of land will be a beautiful garden.
Life is given to you like a flat piece of land and everything has to be done. I hope that when I am finished, my piece of land will be a beautiful garden, so there is a lot of work.
I stared at the Ohio River every day as a child, a thing that for me is almost more symbol than river. The formation of personality is inextricable from place. It strikes me as an interesting example of dependent co-arising; land shapes the organism, which then reshapes - literally and figuratively - the land. This because of this; not that because not that. Nothing is separate, least of all the literary mind.
When Arizona became a state, the federal government granted our founders nearly 11 million acres of state land. Every time we sell a piece of that land, proceeds go into the Land Trust where the money is invested and earns interest.
Each piece I tell stands on its own, and then it all ties together. It segues from story to story, and then I wrap it up - like three-piece movements in a symphony.
I feel the other element of a western is the land, which is very important in this movie. I mean the land is another character in the piece, actually.
I feel the other element of a western is the land, which is very important in this movie. I mean the land is another character in the piece, actually
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
I had a weird, empty feeling inside me. Not a bad sort of empty. It was a sort of lack of sensation, like being in pain for a long time and then suddenly realizing that you're not anymore. It was the feeling of having risked everything to be here with a boy and then realizing that he was exactly what I wanted. Being a picture and then finding I was really a puzzle piece, once I found the piece that was supposed to fit beside me.
People ask what was the first piece of music I wrote. There was no first piece.
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