A Quote by Mike Mills

Shooting a film is like a kismet quest. You have thirty days and you need magic to happen. So that's why I wear suits. I'm praying to the gods, and I'm doing everything I can to respect the powers of the world.
The weird thing with 'Kismet' is that Vincente Minnelli didn't know what to do with a Cinemascope camera for that film - so he never moved it! It's like in the old days when sound first came in and was so complicated that the camera just sat there. There are hardly any close-ups in 'Kismet,' so everything's at a bit of a distance.
But when you have order, you don't need Gods. When everything is well ordered and disciplined then nothing is unexpected. If you understand everything,' I said carefully, 'then there's no room left for magic. It's only when you're lost and frightened and in the dark that you call on the Gods, and they like us to call on them. It makes them feel powerful, and that's why they like us to live in chaos.
It's either some sort of a kismet or something that I've been offered a film like 'Zero Dark Thirty,' which I would have lined up to be the first one to watch that movie, had I not shot it.
Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itself is different.
You've used up all your school sick days," he said, persuing my file. "You've requested to leave school one hundred and thirty days out of the one hudred and forty days of school so far." So thirty-one might be the magic number?" Principal Reed and Raven
In a way. Magic is the act of making a wish come about. Like praying, like plotting, like herbs, like exerting your will on the world, making something happen.
My advice is you've got to make sure you wear the clothes and not [let] the clothes wear you. It's quite simple in a way. Don't wear something you totally feel uncomfortable with, but take some chances. Play around a bit. I felt very uncomfortable in suits when I was younger, so what I just started doing was wearing suits when I was going to dinner. I used to overdress a little bit so I got used to wearing suits. Now wearing a suit is like wearing a track suit for me. So it's all good.
Now I'm way into suits that I can put on whether I took a shower or not, and wear barefoot and paint my toes black or whatever color the suit is. It's very cool to wear suits like that. Roll up the sleeves and just say yee-haw.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
Everything I do is alchemy. That's why I believe in magic. Not black magic, not the satanic magic that they practice in Hollywood and that the deep state practices and that the media practice. I believe in good magic, light magic, alchametic magic.
Now that I'm an actor and I have movies, press, I have more occasions to wear suits. I like wearing suits.
The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ("but of course that's why he was doing that, and that means that...") and it's magic and wonderful and strange.
None but praying leaders can have praying followers. A praying pulpit will beget praying pews. We do greatly need pastors and evangelists who will set the saints to this business of praying. We are not a generation of praying saints. Who will restore this breach? The greatest will he be of reformers who can set the Church to praying.
This site uses cookies to ensure you get the best experience. More info...
Got it!