A Quote by Mike Mills

Actors are pretending for you, but they're not lying. They are not putting on a guise instead of themselves. They are finding things inside that they have experienced. — © Mike Mills
Actors are pretending for you, but they're not lying. They are not putting on a guise instead of themselves. They are finding things inside that they have experienced.
You're all Buddhas, pretending not to be. You're all the Christ, pretending not to be. You're all Atman, pretending not to be. You're all love, pretending not to be. You're all one, pretending not to be. You're all Gurus, pretending not to be. You're all God, pretending not to be. When you're ready to stop pretending, then you're ready to just be the real you. That's your home.
My success has depended wholly on putting things over on people, so I'm not sure that I'm that great a role model. I am, however, an expert on pretending to be an expert on pretending to be an expert.
Acting is not pretending or lying. It's finding a side of yourself that's the character and ignoring your other sides. And there's a side of me that wonders what's wrong with being completely honest.
Actors who say they can dive inside a character are either schizophrenic or lying.
She draws patterns on my face / These lines make shapes that can’t replace / the version of me that I hold inside / when lying with you, lying with you, lying with you.
When you play characters, you shouldn't just be putting on their characteristics - you should be finding it inside yourself.
The Democratic Party will never desert the freedoms of our people under the guise of pretending to protect them.
People use the guise of art, and artistic expression, to do all kinds of hateful things. It's like Trump and everybody else using the guise of humor to say hateful things, the excuse being, 'I was just being funny.'
I've read about actors trying to prevent their kids from getting into it, and I think that's from what they themselves experienced in the industry.
Prague is not, strictly speaking, travel writing but it is, among other things, an excellent example of what travel writing is becoming, if indeed it hasn't already done so. . . . People are no longer so easily satisfied by the mere travel impressions of some outsider much like themselves. Instead they gravitate towards writers who actually have lived not simply in, but inside, a location for an extended period, as one lives inside one's clothes.
The foundation of all morality is to have done, once and for all, with lying; to give up pretending to believe that for which there is no evidence, and repeating unintelligible propositions about things beyond the possibilities of knowledge.
It's as if Japanese men, all to aware that deep inside they'd like to stomp Tokyo flat, breathe fire, and do truly terrible and disgusting things to women, have built themselves the most beautiful of prisons for their rampaging ids. Instead of indulging their fantasies, they focus on food, or landscaping, or the perfect cup of tea -- or a single slab of o-toro tuna -- letting themselves go only at baseball games and office parties.
People spend too much time finding other people to blame, too much energy finding excuses for not being what they are capable of being, and not enough energy putting themselves on the line, growing out of the past, and getting on with their lives.
There are people who indulge themselves in a sort of lying, which they reckon innocent, and which in one sense is so; for it hurtsnobody but themselves. This sort of lying is the spurious offspring of vanity, begotten upon folly.
If no one speaks out for [young readers], if they don’t speak out for themselves, all they’ll get for required reading will be the most bland books available. Instead of finding the information they need at the library, instead of finding novels that illuminate life, they will find only those materials to which nobody could possibly object... In this age of censorship I mourn the loss of books that will never be written, I mourn the voices that will be silenced — writers’ voices, teachers’ voices, students’ voices — and all because of fear.
A lot of actors are frustrated because they want to do things that are different and test themselves. Character actors are always looking for something the opposite of what they did.
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