A Quote by Mike Myers
Shooting this one was kind of like a two month party, we would literally play music between takes, and other movies that were shooting on our lot would play hookey, come over and hang out and stuff. We had a great time.
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I loved shooting 'iGo to Japan' because we got to be outside a lot, and our call times were really late because we had so many night scenes. It was pouring rain, so the cast would huddle together in between takes and drink hot chocolate. Shooting that episode was such a great bonding experience.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
It used to be that games were more like movies where a game would come out and then people play it for two months and then it's over.
When you're growing up you also like to go out and party a lot, and the music that we would hear going out would be techno and electronica. And earlier stuff like the Prodigy. It kind of stood out from everything else. Y'know, 'Firestarter,' where did that come out of? It sounded alien and otherworldly.
People always say that music is a universal language. It was very, very true. We could show up anywhere with any people speaking different languages and we could just be like, "You want to play that song? Yeah, okay." We would usually want to play Latin American songs, and they would usually want to play Santana or Jimi Hendrix and stuff like that. So we would trade off. So yeah, we were able to make a lot of friends that way and meet a lot of local musicians. It was a great experience.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
I didn't so much think I needed to address the shooting need. What we needed was somebody who could come in and play the two-three (shooting guard-small forward) spot. If he could've been a pure shooter, great. But if not, we still needed somebody to give us minutes there. I like the guys we've got.
I thought it would be cool to Skype with fans on their birthday and spend, like, a half-hour with them. I did a couple of two-hour Skypes. I just hang out with them and play songs and stuff. At first they're kind of shy, but after a while they open up. I've had a lot of people tell me I'm doing something no one has ever done before.
I've only ever played 'God of War' while we were shooting it. I've seen a lot of the videos, but while we were shooting 'God of War,' they had a green room for the actors to hang out in, and they always had the newest game on the big screen. So we'd sit there playing 'God of War' to get us into the mood.
The most important lesson I learned...was that the winner of a gunplay usually was the one who took his time. The second was that, if I hoped to live on the frontier, I would shun flashy trick-shooting--grandstand play--as I would poison...In all my life as a frontier peace officer, I did not know a really proficient gunfighter who had anything but contempt for the gun-fanner, or the man who literally shot from the hip.
I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.
Casting is always critical but in this case, 'The Way Back', I was looking internationally to a degree for an interesting mix of gentlemen, Irish, Polish, Russian and American. Not many people had the qualifications, people who would play the game, particular to this industry. So I had to research amongst the cast. They had to be very very prepared as we had to start shooting as soon as we could, there wasn't any time to talk, and there would only be three or four takes.
When I was about 15 years old, I used to have a lot of jam sessions at my house. And all the kids would kind of come over, and I would kind of deejay some music that I discovered that month.
My mum was a big fan of E.L.O. and Elvis Costello. She used to play that, consistently, all the time when we were kids. And my dad, he would claim to be a singer... You know, he loves singing, and he used to sing a lot when he was a kid and at parties and stuff like that. So I come from a very party-musical family.
We've been shooting the last two weeks with a lot of vampires. I don't want to give away too much, but if you've read the books, it's the standoff with lots of vampires in play. There's like 70 people going through the works at once. It's a little maddening, but fun. We shot pretty much the ending of the two movies the other day.
I started taping my dad's auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn't just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you're not right, you're not right, but that's okay.
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