A Quote by Mike Myers
I write everything I do. On the average, it takes you about sixty months from the first molecule of an idea to it being in front of an audience. I'm actually somebody that creates their own stuff.
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I love making stuff. There's a joy in having the first molecule of an idea, then testing it in front of audiences at secret shows that people only know about the day before. I videotape those, study them, enjoy being in the character and figuring out the movie.
An idea can be tested, whereas if you have no idea, nothing can be tested and you don't understand anything. The molecule that you make when you are getting sunburned or when you eat a lot of food is part of the same molecule that contains an endorphin or an opiate. No one has ever had a hypothesis about why the two are together.
I don't write about sex because it's not really my subject. I love it when other people write about it, but it's not my subject, and I don't want anyone I've had sex with to write about it. Plus, you're in front of an audience, and they picture wherever you're writing about. I'm 52; no one in the audience wants to picture that.
I've always wanted to be taller. I feel like a shrimp, but that's the way it goes. I'm five-foot four-and-a-half-inches - that's actually average. Everything about me is average. Everything's normal, in the books. It's the things inside me that make me not average.
When I give talks like the one I'm going to give at the Changing Advertising Summit, one of the points I often make to the audience is that I'm not one of those speakers who stands in front of the audience and pontificates - everything I talk about I'm actually doing myself. I'm living it.
There's a joy in having the molecule of an idea, then testing it in front of audiences at secret shows that people only know about the night before.
The wonderful thing about Food for Thought is that it lets you keep your hand in theater and be in front of a live audience without a commitment of six months, or even three months.
If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience.
I'm not interested in the director's commentary stuff. I think that stuff is really boring. And, if the director explains too much, it takes a certain mystery away from the interpretation that is very important for the audience to have. The audience should have their own interpretation.
It's the stuff that happens right in front of your face when there's no routine and everything is unexpected. That's what I want to write about.
After I finish any film, I move to the next one. It takes about a year to write and another six months are for pre-production and other things. You need a minimum of two-and-a-half months for the shooting of a new film. Then, I also edit my own film.
If somebody actually just walks up to you and says, ‘Hey, do you want to do something out of the ordinary?’ there might be a little reluctance at first. But deep down, you want to do it. It’s adventure. That’s what brings people in front of the camera. I also feel that when you’re in your own environment that’s where you experiment, where you do all kinds of crazy stuff. So I thought, ‘Okay, let’s just see what happens if I allow that to unfold.’
I'm so lucky that I get to write my own music and write my own stories, so every single time I look down in the audience and I see somebody singing the words back to me, it makes it all worth it.
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
It takes people being alone in front of the computer at three in the morning to write opinions about movies, apparently.
When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes.
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