A Quote by Mike Patton
If I was in a bad mood, then maybe I won't talk about it, but you're going to know about it somehow. If something was bothering me, maybe I would have acted a little bit like a child, meaning I go break something in a room.
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The only thing I know is the only things that I know. You can't ask me to talk about something I have no information on. I stay silent. It'd be foolish. So when I talk about something, it's something I at least have a little bit of familiarity with me.
A lot of the songs on '2' are pretty personal, but even if I'm writing about something like that, I still tend to keep it pretty simple and open-ended. I like the idea of people listening to my album and it meaning something to me but maybe meaning something else to them.
Maybe...in a way, this coffee reminds me of something. Maybe...maybe only a philosopher or a mad man would make this connection, but it's a little like life. I mean it's powerful going down and that doesn't even take into account the aftertaste, which really takes getting used to.
We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.
There's something I call 'Moving Day,' which I've done for the last 20 years. Look at everything in your home, then think about how you could combine things in a different way. Maybe you break up your night tables and use one in the family room; maybe the dining room sideboard becomes a console table for your television, with storage underneath.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
There's always something that's motivating you. There's doubt about something that's going on with you. Maybe it's not individually, maybe it's your position group, maybe it's your side of the ball. There's just always something that's going to push you.
I do feel like I am immensely transparent with my fans. If I'm feeling something or I'm going through something, I'm going to talk about it. Like if I have a break up or if I'm stressed, or whatever I'm feeling, I'm going to come online and talk about it.
Maybe you are homophobic a little bit, but then you see me, and you've always loved me, and you love the way I play, and your kids love me. And then you're like, 'Oh, that's OK. It's fine.' Once it gets a little bit more personal, it helps break down those barriers.
You do some acting in a room for a few minutes, hopefully get something out of it that makes you a bit better at acting, and go home. Maybe the people in the room with you liked the acting you did. Maybe they didn't! Either way, it's not the end of the world; you'll be doing this again soon.
I hope maybe somehow I won't be in this business all my life, and I won't be one of those women that's trying to, you know, save what she looks like... My work is about something completely different. It's about what's inside.
I didn't think, 'I'd really like to work in TV; maybe I could carve out a niche where I talk to people who are somehow involved in marginal or difficult lifestyles... ' It was something I gravitated to very naturally as a subject area, almost instinctively, and somehow turned into a TV career without meaning to.
You know, I feel like if I don't change something, then the results maybe are going to continue the way that they have. That for me is not something that I want to really be a part of.
My goal is for 'Heavy Rain' to leave an imprint in you and change a little bit of who you are and how you see things. Maybe the key characters and key moments will leave a trace in you. If you don't have this ambition as a video-game creator, then maybe you should do something else, because this is what creation and art is about.
There's something about the sci-fi genre that gets an audience interested in it, so maybe you can take some risks that you couldn't, if you were just doing a drama. It lets you maybe reach a little further and surprise people a little bit more because there's still that little safety base of working on that genre that everybody loves.
The thing about all my food is that everything is a remembered flavor. Maybe it's something I had as a child or maybe it's something I had in Milan, but I want it to taste better than you ever thought.
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