A Quote by Mike Patton

In a way, sometimes collaborating is more difficult because you have to listen. — © Mike Patton
In a way, sometimes collaborating is more difficult because you have to listen.
Collaborating with someone on music is the same way you'd go about hanging out. You have to listen more than you talk.
I think sometimes I'm more fond of doing the research for the character because you learn so much. Sometimes shooting is really difficult because you wake up early and you're always hurrying. And sometimes I don't know what I'm doing. I'm here and there.
Sometimes, when I have to learn the lines in German and French, it's that much more difficult because it doesn't just sink in automatically, organically. I have to memorize it. It's a tricky thing, as well, as when you improvise, sometimes you want to say something but you don't know how to put it. It's more difficult than in your mother tongue. It's a challenge but, at the age of fifteen, I put myself up for it and I was aware that it would be an obstacle and many times.
As a woman, you listen to more female singers, like guys listen to more rock bands. So in that way, they influence you because you're trying to create an identity; you look to others to model.
We are different. We are equal in every way but our voices are important to each other and our need to want to listen to each other and try to understand, because sometimes we are so difficult to understand. Men to understand us, and we to understand men. And we don't. We don't connect the way we should.
I know it's more five-star now than it was then, but it's still a difficult tour. In the same way as India and Pakistan players find it difficult coming to Australia. People sometimes have difficulty believing that.
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
It is not difficult to be a revolutionary when revolution has already broken out and is in spate, when all people are joining the revolution just because they are carried away, because it is the vogue, and sometimes even from careerist motives. It is far more difficult--and far more precious--to be a revolutionary when the conditions for direct, open, really mass and really revolutionary struggle do not yet exist.
I often have the feeling that acting is really not difficult, because all I do is I just listen. I just listen. I just listen to what there is. And if there's nothing, then I listen to nothing. If there's a chair, and it's empty, I listen to an empty chair, and I will respond to it.
I listen to 'Purple Haze' a lot. If I'm in the gym, I listen to that album the whole way through sometimes.
Sometimes you hate your music, sometimes you don't. Sometimes I listen to the record and it's really hard for me, and other times I listen to it and I give myself a pat on the back.
Sometimes, if we are faced with obstacles, be they tangible or not, such as jealousy, worldly sentiment, greed, hatred or obsession, etc., there is no other way to overcome them except by practicing more diligently. You need to read Master's books and to listen to Master's tapes more often, meditate more, do Quan Yin more, put more effort into your practice and concentrate more on the path of practice. It is safe only when you are sheltered by the supreme power, no other way.
Sometimes supporting is difficult because a lot of people go to a gig to see the main act and to have a beer and a chat with their mates, so a lot of the time, even if you were John Lennon, would not listen to you.
Most people think it's a linear relationship: I speak, you listen. Actually, it's a circle, because the way you listen affects how I speak, and the way I speak affects the way you listen.
The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks.
From collaborating with other people, you make concessions, and those concessions are great because sometimes you are definitely wrong.
This site uses cookies to ensure you get the best experience. More info...
Got it!