A Quote by Mike Patton

I've had the new band experience plenty of times, and sometimes, it just sort of peters out. — © Mike Patton
I've had the new band experience plenty of times, and sometimes, it just sort of peters out.
You can't dodge them all. I got hammered plenty of times through the years. But you just get up and keep playing. I can tell you from experience, though. Sometimes it hurts like hell.
I know I'm in the band and everything but sometimes I just have to rock out to the John Frusciante Experience.
I'm doing a pilot for Comedy Central with the band Steel Panther. They're faux heavy metal. They started as kind of a tribute band out here, or a cover band, and they're funny guys, and they just sort of morphed into their own thing.
I knew I wanted to be an actor for a long time, but I was based out of Chicago and then I went to New York and I did 'The Upright Citizens Brigade' out there. I had a two-man show with a guy named Oliver Ralli who's now in the band Pass Kontrol, which is a big band out of New York.
Well, in some ways I had sort of the opposite experience of other people that are sort of dreaming of being in a rock band. I was dreaming of like corporate lunches and just like, and I'm not really joking. Like the whole idea to me was really appealing.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
All men will be Peters in their bragging tongue, and most men will be Peters in their base denial; but few men will be Peters in their quick repentance.
Lilith Fair was a great experience for us the first time we played it. We were... not a new band, but a new band as far as mainstream kind of airplay or success.
I started out doing theater and a soap in New York and that's... sort of what I got stuck in. I was blessed enough to have long runs, and it's sort of hard sometimes then to get out.
Sometimes I just cringe. I can feel the emotion, that whole anxiety of being in this new world that I sort of evolved into. I would just do it, put it out there, and go for it.
I had my first band. it was kind of a progressive metal band kind of thing. I just started writing songs that required more and more challenging vocals, and I just did them. Necessity is the mother of invention, right? So I just sort of did what I had to do to make the songs sound the way I wanted them to.
Actually, I've done it the other way so many times where you rehearse the band and you do the whole thing with lights, the show and the crew - everything. Then you see what happens and you're already committed to dates. I'm just sort of putting out feelers this way.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
I had a ten-piece band when I was 21 years old, the Bruce Springsteen Band. This is just a slightly expanded version of a band I had before I ever signed a record contract. We had singers and horns.
Since I moved six or seven times the first year I was in New York, I had to be able to roll up the work, and paper would just get destroyed. Once I looked at what I'd done, I realized I had made a painting, sort of by default.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
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