A Quote by Mike Portnoy

I guess I did make my name out of my drumming, and I have the big drum sets, and I'm doing all these crazy, odd-time signatures, so, yeah, I guess drumming was very important to what made me popular.
Gaps can be very emotional. I mean, that's in my drumming. When I drum, you know, I don't need to drum all over the track. I play with the singer and I can back off.
As with any art, you create it [drumming] out of something that isn't there. It's very architectural. It's the architecture of whatever piece of music I'm playing. I think the whole idea of drumming is to allow other people around you to more easily express themselves.
I thought of Gene Krupa's drumming, his staccato drumming. I went and put 'Misirlou' to that rhythm.
I immersed myself in the police work and I guess drumming wasn't even a hobby, just something my body naturally wanted to do, tapping stuff.
It's certainly no coincidence that big bands became the entertainment of the army in WWI and WWII, and that jazz drumming style is very military influenced. The snare drum comes from the military and becomes the core kind of sound of jazz drums.
I basically have my life today as a result of what I did as a child. What did I miss out on? Yeah, I missed not hanging out at shopping malls, I guess, but that is not a big deal because you don't get a medal for that.
Because drumming was recognized as an ancient source and symbol of the power of female technicians of the sacred, drumming was banned. Henceforth divinity was to be exclusively masculine. The suppression of women was directly linked to the suppression of the goddess.
The drum records that I like are ones on which the drumming didn't repeat itself. The players didn't stick to a format or formula.
One of the greatest learning experiences I had was hanging out with Maureen Tucker from the Velvet Underground. There's a woman who has no training and has a very simplistic and very tribal drumming style. I don't even know that she can even do a drum roll, but she's probably my favorite rock drummer because she plays every note perfect.
Drumming is my middle name.
When I was young, I did Baby Guess and Guess Kids - Paul Marciano saw me when I was a baby and decided I was going to be his next whatever. After Guess Kids, my mom made me stop. She would not let me sign with an agency until I was 17 because she wanted me to be a normal kid and accept myself for who I was.
There is no blood in jazz drumming, and there are no bullies in jazz drumming.
I was really into motocross. I started racing when I was 10 years old and did very, very well. That was my dream, if anything, more than drumming.
The reality is that my style of drumming is largely an athletic undertaking, and it does not pain me to realize that, like all athletes, there comes a time to... take yourself out of the game.
The advice I like to give to drummers is that there's no right or wrong way of playing the drums. I think the drumming community can be very antiquated and very stuck in the past of, like, this Neil Peart style, technical Guitar Center drum video kind of approach. That you need to have played for 15 years before you ever do anything worthwhile.
I guess that one of the most important things I've learned is that nothing is ever completely bad. Even cancer. It has made me a better person. It has given me courage and a sense of purpose I never had before. But you don't have to do like I did...wait until you lose a leg or get some awful disease, before you take the time to find out what kind of stuff you're really made of. You can start now. Anybody can.
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