A Quote by Mike Portnoy

I spent my life's work doing what I did in Dream Theater for 25 years, so I'm proud of that. — © Mike Portnoy
I spent my life's work doing what I did in Dream Theater for 25 years, so I'm proud of that.
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
I started in theater. I did theater professionally for seven years with my company before I started doing 'Friends.' I was waiting tables and doing theater.
Realize that the people who are working with you, this is their life. You know, 80% of their time is spent at work. Make sure that they're proud of what they're doing, that they're enjoying what they're doing.
As long as I've been doing Ghost, at least, I've been very keen on maintaining not necessarily an anonymity but a low profile. But on the other hand, I spent 25 years not doing Ghost, where, 20 of those years, I wanted to be nothing but a famous rock musician.
I spent 10 years in New York doing theater.
I did theater for 15 years, and I spent a lot of time as an understudy.
We dream of having a clean house - but who dreams of actually doing the cleaning? We don't have to dream about doing the work, because doing the work is always within our grasp; the dream, in this sense, is to attain the goal without the work.
When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.
I spent the first 25 years of my life not knowing what I wanted to do.
The economy in the next 20 to 25 years is going to change more than they did in the last 20, 25 years. And that's because exponential trends are affecting a bigger and bigger share of the economy. So we have some huge disruptions in store, and I can't predict exactly what the innovations are going to be. If I did, I would have already invented them. But I think they'll be comparable to the innovations we saw in the past 20, 25 years if not greater.
Before I did any television or film, I did years and years of theater. Television and film stuff, even though it went on for a good, healthy number of years, almost felt like a diversion from theater.
One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
I spent all of my twenties doing theater in a little 50-seat theater with my friends.
I grew up doing theater and music, and in fact, I spent more time doing theater, and I'd do music when I could.
The true test of any scholar's work is not what his contemporaries say, but what happens to his work in the next 25 or 50 years. And the thing that I will really be proud of is if some of the work I have done is still cited in the text books long after I am gone.
I moved from Minnesota to Las Vegas when I was 13, so I spent my high school years there and did some things I'm not proud of.
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