A Quote by Mike Portnoy
I don't like when I see bands that are just a memory of what they used to be, and there's a few out there that I've seen recently that are still touring... I'm not gonna name them, but some of the members can barely play their parts, and then they have a lot of other members that weren't even originally in the band.
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I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose.
Before the show, we see all these radio people, and most of them say, 'Garth, you're a lot calmer than I thought you were gonna be.' But when the members of the band give one another that handshake, and the lights go out, and the crowd goes up, then you're sliding into the elevator, man, your heart is just going bopbopbopbopbop.
When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.
I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
When I begin to feel tired and do not want to work anymore, I see my members next to me working so hard without taking a break. When I see the members like that, I end up thinking a lot. Because we can see each other grow and hold each other accountable, we all improve together.
I know some bands that don't like touring and are able to make a living producing other bands. There are a lot of ways of carving a living out, but it's become tougher and tougher to figure out what that means.
I love Les Beaux Peeps. Everyone in that band works together really well. I used to go out to see bands a lot; now it seems there just aren't any I like.
The shows are so different from each other, depending on whether I play with my band, Nine Stories, other musicians, an orchestra, only one or two members of my band.
I really didn't have any plan for her other than the henchgirl role, who was better at getting laughs out of the other gang members than the Joker was. I gave her the name Harley Quinn because I thought Harley was a fun name for a girl, and a lot of 'Batman' character names have a bit of a pun to them, like E Nygma.
I'm a full member of Cheap Trick in all respects. Solely as an accommodation to some of the band members, I reluctantly agreed to take a temporary hiatus from touring.
I learnt from an early age this need to delegate responsibility out to other team members as there is just too much for one person to do themselves. What is the point of hiring talented team members if you don't give them the freedom to make the most of the chance you have given them?
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
There's an interesting thing I've seen with Australian bands: when you put them side-by-side with bands from other parts of the world, they're just more musical. They're just better.
Some bands write and it is just the singer and the guitarist that do it all and then the rest of the band follows their vision. This is cool, and as you know I have been part of a few amazing bands that did this and I am not complaining.
What originally established the band was cover songs like Not Fade Away. Then, later on, we got more well-known ones like Satisfaction, which you might say echoed the thinking of, well, any generation you care to name, including the present one. But we didn't set out on bits of paper that we were going to be the voice of a generation. The original aim of the Rolling Stones was to play blues. It wasn't even to play rock music.
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