A Quote by Mike Portnoy
Normally, when I write the setlist for a Dream Theater show, I'll change it up every night, and we can basically play whatever we want.
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The show is different every night, because I never write a setlist.
I can play whatever I want and play whatever the fans want to hear. I don't have to be like a salesperson up there talking about my CD through the whole show.
Theater is such its own living, breathing animal. You do a show every night, but it's different every night. Being on stage, you're experiencing a journey.
I want to be one of the guys, but I also want to be 'the' guy, the guy that can go out there and they can rely on in crunch time. I'm going to be the guy that they know will show up every day, every game, every play and show up on a consistently great level.
I took care of myself. Basically I'm a vegetarian, I run every day, I exercise. I kind of control my living habits. I try to get a good night's sleep every night, I don't stay up all night and do all that stuff.
In the dream life, you don't deliberately set out to dream about a house night after night; the dream itself insists you look at whatever is trying to come into visibility.
In the dream life you don't deliberately set out to dream about a house night after night; the dream itself insists you look at whatever is trying to come into visibility.
I'm a proud person who happens to be deaf. I don't want to change it. I don't want to wake up and suddenly say, 'Oh my God, I can hear.' That's not my dream. It's not my dream. I've been raised deaf. I'm used to the way I am. I don't want to change it. Why would I ever want to change? Because I'm used to this, I'm happy.
Most people say, "I can't wait to retire so I can play golf," or go yachting or whatever they do. Well, if I was playing golf, I would want that to finish so I could go and dream up a new TV show.
When you play arenas you can create whatever you want. At a theater the height of the stage and the limitations of the theater can make you feel more separate from the audience.
If we want to change things, we must first change ourselves. If we want to play - if we want to change the world - we must first show up on the field to score.
With improv or a full length play - you know how you go to a theater, and after 10 minutes you say, 'Oh, I don't like this thing,' but you don't want to get up and leave? At a sketch show, it's always something new every few minutes.
I think film is a world of directors. Theater is a world of actors. Or, theater is for actors as cinema is for directors. I started in theater. Filming is as complete as directing film. In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that. So, you are given all the tools.
Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
Overall, I just love performing so much that when I write, I want to write for me. I kind of learned that on 'Mr. Show,' that even in an environment where you can write whatever you want - which is what that environment was - I realized, 'Man, I still want to be the guy out in front.'
I want tap to be something danced in arenas. Sort of like a rock group. Other art forms happen every night. Take theater, opera; there's always opera happening every night.
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