A Quote by Mike Portnoy

To me, there's way more to being a good drummer than precision and technique. — © Mike Portnoy
To me, there's way more to being a good drummer than precision and technique.
By concentrating on precision, one arrives at technique, but by concentrating on technique one does not arrive at precision.
It takes a pretty good drummer to be better than no drummer at all.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
My tennis is aggressive, though I wouldn't say that it's more physical than technical. I rely more on technique than physique, but being physical is always a help to me.
I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.
String theory has had a long and wonderful history. It originated as a technique to try to understand the strong force. It was a calculational mechanism, a way of approaching a mathematical problem that was too difficult, and it was a promising way, but it was only a technique. It was a mathematical technique rather than a theory in itself.
Technique isn't important. Technique is in the blood. Events and mood are more important than good light and the happening is what is important
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
When I listened to Elvin Jones, man, for the first time I heard a drummer that had all the technique plus emotion, passion, feel, and just - good God!
My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical to what art should be.
Being a Muslim is more important than me being a footballer. A good Muslim is a good person, so I try to be a good person. I just live the way I want to live.
Learn technique; have full command to the extent of not being conscious of how it is done. When craftsmanship has been developed, you are free to create... technique will give way to expression!
I realized that you can achieve so much at the front of a stage, releasing the music yourself and being something more selfish than just the drummer.
No technique is possible when men are free. Technique requires predictability and, no less, exactness of prediction. It is necessary, then, that technique prevail over the human being.
Generally, I end up being the one thrown against the wall, because Zach is the drummer. He's stronger than me.
I understood that I was inventing myself, and that I was doing this more in the way of a painter than in the way of a scientist. I could not count on precision or calculation; I could only count on intuition.
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